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Thread: Help needed with 5 way Telecaster wiring

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    Default Help needed with 5 way Telecaster wiring

    Hi - I have just purchased a vintage stack for my Telecaster neck pick up and have a standard tele bridge pick up. I want to use a standard 5 way switch and split the humbucker to get different sounds.
    1 Full humbucker (neck)
    2 Split humbucker (neck)
    3 humbucker (neck) & bridge
    4 split humbucker (neck) & bridge
    5 Bridge.
    This not have to be in the exact switching order as above.
    Has anyone got a sound wiring schematic for this?
    Last edited by donprior; 06-16-2007 at 02:57 AM.

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    Cat In The Hatministrator stevie_bees's Avatar
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    Default Re: Help needed with 5 way Telecaster wiring

    Welcome aboard. I'm certain someone will have the perfect diagram for you. Here's one you could base your wiring on. Obviously your bucker is in the neck!!
    http://www.seymourduncan.com/support...tele_5way.html

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    Cat In The Hatministrator stevie_bees's Avatar
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    Default Re: Help needed with 5 way Telecaster wiring

    IIRC, you get full bridge, full bridge and neck, neck, tapped bridge and neck, and tapped bridge with that wiring.

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    Mojo's Minions metlking's Avatar
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    Default Re: Help needed with 5 way Telecaster wiring

    Take a look at these, they're from a US Fat Telecaster with a full sized bucker in the neck, just replace with your stacked coils......looks like the switch is a Fender "5 Way Super Switch " if I'm not mistaken, using half of it.....

    http://www.fender.com/support/diagra...118000CPg4.pdf

    http://www.fender.com/support/diagra...108000BPg2.pdf

    I did some research on the switch you need as I don't beleive a double waffer "super switch" fits into the cavity on a Tele.....I have a HS Tele with a 3 way switch, you got me thinking about expanding some tonal possiblities!

    From another forum: The "half-Superswitch" (my name, not theirs) is a single-wafer double-pole 5-way switch, with five switchable lugs per pole. It's available from WD Music (part #WDE5DL), Acme Guitar Works (SKU: 003-9003-000) or perhaps you could get one from Fender (part # 0039003000). It's a twelve-lug/two-pole monster, only seen it in a couple of Fender's non-standard Teles, like the James Burton Upgraded Tele...

    Looks like this one would do the trick: http://www.acmeguitarworks.com/Singl...k__P402C10.cfm
    Last edited by metlking; 06-16-2007 at 03:17 AM.
    Only you can decide what "good" sounds like!
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    Peaveyologist ArtieToo's Avatar
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    Default Re: Help needed with 5 way Telecaster wiring

    Edit: Nevermind. I just realized that I drew essentially the same thing Stevie posted in the second post.
    Last edited by ArtieToo; 06-16-2007 at 04:01 AM.

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    Default Re: Help needed with 5 way Telecaster wiring

    Quote Originally Posted by ArtieToo View Post
    Edit: Nevermind. I just realized that I drew essentially the same thing Stevie posted in the second post.
    can you put that back up it as not the same

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    Default Re: Help needed with 5 way Telecaster wiring

    Sorry Don. I just deleted it. I could re-do it, but the only difference was that I had the bridge hot wire on the opposite side of the switch. There's no need to do that.

    Edit: I was able to undelete it since it hadn't been over-written yet.



    Note: Move the bridge hot wire to the other side of the switch. (The unused middle lug.) There's no need to mess with both sides of the switch.
    Last edited by ArtieToo; 06-16-2007 at 04:20 AM.

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    Peaveyologist ArtieToo's Avatar
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    Default Re: Help needed with 5 way Telecaster wiring

    Btw: Let me explain my rational for using the unusual neck wiring. Normally, when Seymour Duncan splits a stack, they ground the red/white wires. That will select a specific portion of the stack. I don't know whether its the top or bottom of the stack, but I assume they select it for a reason.

    In this configuration, we're shorting to the "hot" side, so we need to alter the wiring slightly so that we still select that same portion of the stack.

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    Default Re: Help needed with 5 way Telecaster wiring

    Quote Originally Posted by ArtieToo View Post
    Btw: Let me explain my rational for using the unusual neck wiring. Normally, when Seymour Duncan splits a stack, they ground the red/white wires. That will select a specific portion of the stack. I don't know whether its the top or bottom of the stack, but I assume they select it for a reason.

    In this configuration, we're shorting to the "hot" side, so we need to alter the wiring slightly so that we still select that same portion of the stack.
    Thanks Artie - works great
    Don

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    Peaveyologist ArtieToo's Avatar
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    Default Re: Help needed with 5 way Telecaster wiring

    Cool.

    Btw: What does a stack sound like when split? I've never actually heard one. (Split, that is.)

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    Super Toneologist octavedoctor's Avatar
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    Default Re: Help needed with 5 way Telecaster wiring

    Quote Originally Posted by ArtieToo View Post
    Cool.

    Btw: What does a stack sound like when split? I've never actually heard one. (Split, that is.)
    Sounds like a single coil...

    The Brian May guitars used to use the top half of a DiMarzio stack and they actually sounded pretty cool, but i wouldn't normally split a stack unless i wanted to keep noise cancellation in a circuit with another single coil.
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    Peaveyologist ArtieToo's Avatar
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    Default Re: Help needed with 5 way Telecaster wiring

    Thanks Doc. Part of the reason I was asking is that that two stacks I've had, (Classic and Hot), weren't that strong to begin with. I was curious as to how much output you'ld lose in split mode.

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    Default Re: Help needed with 5 way Telecaster wiring

    You'll lose a bit of output, but with a stack the lower coil is more of a passenger and doesn't contribute as much to the signal as partner coils in a full humbucker. Some stacks, such as the Kinmans can't be split. I've never used a Seymour stack so I don't know whether they have 4con cable but the DiMarzios have four discrete wires (how dumb is that on a noise cancelling pickup??) and the best option for tone variance is to go series/parallel as this drops the global impedance by a factor of four, changing the whole resonant characteristic of the circuit while keeping noise cancellation and eliminating the mutual "choke" effect of coils in series...
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