Is it just me or do they have very similar tones?

Is it just me or do they have very similar tones?



IMO-Maybe in the early days they did but George's got cleaner (but still awesome) over the years and Warren's stayed pretty much the same (also quite awesome)............
Only you can decide what "good" sounds like!
"I learned a long time ago that one note can go a long way if it's the right one, and it will whip the guy with twenty quick notes." ~Les Paul
I always thought they had somewhat similar tones, and playing styles. Lynch seemd to get a hotter sound, and Demartini always had that Marshall sound...nothing really special about it, but I loved it!
I've always been chasing Lynch's tone... incredible.
Overall tone... I think they're similar. Two of my favorite guitarists, and guitar sounds of all time.
Last edited by tone_guru; 01-27-2008 at 10:22 PM.


Love the old Lynch tone.
If you read old mags, Lynch infact stole Warren Slo-100 to record Back For the Attack






Interesting... if you read George's website the Soldanos are only said to have been used with Lynch Mob.
I think Lynch's tone has greatly improved over the years. His tones on the Revolution and Lynch/Pilson releases are great, but the tones on Sacred Groove will probably never be surpassed as not only my favorite Lynch tones, but favorite recorded tones period! The opening riff for "Love Power From the Mama Head" anyone?
Duncan Pickups in currently in use: '59 (rewound to PATB-3)/'59, Custom 5/AP2H, Tapped QP set for Tele, Duncan Distortion, SP90-1/SP90-2



Yeah. That's nice tone.
I like Lynch's tone more after he started using less gain. The tones on Lynch Mob are gorgeous.
Some of the tones on older Dokken material are way more distorted and buzzy. Might have been the newest, hottest guitar sound in the 80's, but I think it lacks the character and expressive nuance of stuff he recorded later.
For all I know, Lynch might have already been getting that sweet tone that he used later on Lynch Mob albums, but some producer re-amped his parts to get a tone with more gain, thereby ruining them IMO. I have read interviews with guitarists where they've mentioned this kind of thing often happened, and they didn't have control over the guitar tone that went on the final version of their band's album.
"Just like bad gas, they (metal riffs) sneak out every once in a while."
Jah Paul Jo - Dread Zeppelin
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I always thought Lynch's best tone in the 80s was on the live version of 'Paris' - Duncan Dist. through a Tube Screamer, a tube, tape echo for more girth, then a jumpered old 100w plexi. Brutal, clear and screaming.



I've never gotten the deal about Warren's tone. He sounds like 100 other 80's dudes to me. Don't get me wrong...he has a certain style, phrasing, melodic sense, hammer/hammer/pick, thing that makes him recognizable. And I really like to listen to his stuff. But Tonally, I can get that with most any humbucker guitar, a metal zone and a dd-3.
Lynch - that's a whole nuther level as far as I'm concerened. You can name him in the first note! Tone & style - the full meal deal!



+1
Lynch was very picky and still is picky with his tone. This man goes through so many amps and changes, its hard to keep track what he's been using over the past 10-15 years.
Warren on the other hand, I really didn't think his tone was unique, his playing is and that's what makes Warren, Warren!
They both have 'mastered' that wacky, jerk-off vibrato technique.
". . . there is kind of a general misconception, I believe, about ‘technique’, and a lot of times it’s referred to mainly as scales and the ability to play scales fast and things like that, and people will say things like ‘Hendrix was a soulful player’ and say ‘Yngwie is a technical player’ or something like that, and it’s just ridiculous, because Hendrix had some of the most unbelievable technique."
-Shawn Lane

Warren is actually a bit of a tone freak too, though not to the extent of Lynch. Good article on him and his gear in a Guitar Player 2-3 months ago. I've always thought Lynch's tone was slightly crisper and brighter than Warren's, but I've always been able to tell them apart.
On a side note, I've been itching to try the Warren DeMartini signature pickup.



Speaking of Lynch's revolving door of tone, I saw him in one of the Sam Ash clinics last fall promoting his ESP/LTD gear, his new Randall Lynch Box, among other endorsements (like the supposedly awesome Super-V strings by Dean Markley that you can't find anywhere). Those Randall amps with the "plug and play" tube preamp sections are a very interesting idea, and Lynch sure made them sound pretty sweet. I've kind of been wanting to find one so I can try it out.
Duncan Pickups in currently in use: '59 (rewound to PATB-3)/'59, Custom 5/AP2H, Tapped QP set for Tele, Duncan Distortion, SP90-1/SP90-2

I've been listenning to RATT only recently, and I immediately got reminded of George Lynch. I thought their tones are pretty close. Lynch's tone to "Mirror Mirror" and the solo to "It's Not love" are just awesome!

i checked and ur right...i'm an idiot. at least i got the other one though...great tone nonetheless.![]()
Lynch can play through a 10 watt Gorilla Amp and still sound like Lynch. Lynch is a God.
George Lynch is one sick guitarist.



Duncan Pickups in currently in use: '59 (rewound to PATB-3)/'59, Custom 5/AP2H, Tapped QP set for Tele, Duncan Distortion, SP90-1/SP90-2



I'm ghey for Warren's tone!![]()