Page 1 of 2 12 LastLast
Results 1 to 20 of 21

Thread: Noob Question: benefits of various tremolo Bridges

Hybrid View

  1. #1
    Super Toneologist Jet-Jaguar's Avatar
    Join Date
    Nov 2008
    Location
    Complicated people never do what you're told to
    Posts
    1,090
    Likes (Given)
    0
    Likes (Received)
    4

    Default Noob Question: benefits of various tremolo Bridges

    Sometime this year, I want to put together a guitar from parts. Right now, I'm focusing on learning to play, but that's my eventual goal. Anyway, eventually I'm going to have to make a decision on which bridge to put in it.

    What are the benefits of, say, a bigsby versus a vintage fender versus a modern two-point fender versus a Floyd Rose? (Did I leave anyone out?) I know a Floyd Rose is never supposed to go out of tune, but after playing my Hwy 1 strat and having it rarely go out of tune, I wonder if that that really a big issue?

    Also, am I correct in assuming that FR bridges allow you to go further up or down in pitch? Or is it just that people with FR bridges use them more? I've heard they're also brighter.

    It seems that some bridges, like the Bigsby and the Jazzmaster bridge, are put on simply for tradition's sake. Is this true?

    I've been trying to gleam these answers from other posts, but I'm thinking a straight question might give better info.
    "Times have not become more violent. They have just become more televised."
    - Marilyn Manson

  2. #2
    Mojo's Minions Christopher Caruana's Avatar
    Join Date
    Sep 2008
    Location
    the paradise city, where the grass is green and the girls are pretty
    Age
    23
    Posts
    3,580
    Likes (Given)
    0
    Likes (Received)
    8

    Default Re: Noob Question: benefits of various tremolo Bridges

    i only have a guitar with a floyd. Floyd do thin out the tone of the guitar and maybe make it a tad brighter. With the Floyd V.S. a vintage/two point fender tremolo is that floyd guitars have a locking nut, so it alows you to dive and do crazy wammy stuff and (if your tremolo is set up right) stay perfectly in tune. A cure for the thin tone on a floyd rose is to buy a big/sustain brass block and change out that tiny stock one (im actually doing this to my kramer baretta)

    as to going down further in pitch on a floyd.......not too sure about that one. Due to the locking nut, the strings will not slide at the nut like on a fender tremolo when you dive, so the strings will bottom out sooner because they dont slide.
    2009 Gibson Les Paul Custom
    2006 Charvel San Dimas RI
    1986 Laney AOR "Pro Tube" 100MV
    Majik Box Doug Aldrich "Rocket Fuel"

    "Make your own way, my young apprentice and your journey to the tone side will be complete. swapping mags is the pathway to many abilities some consider to be un-natural tone."

  3. #3
    Ultimate Tone Slacker Jocelyn's Avatar
    Join Date
    Mar 2004
    Location
    Mumbai (INDIA) Are You SEYMOURISED?
    Age
    35
    Posts
    2,090
    Likes (Given)
    188
    Likes (Received)
    21

    Default Re: Noob Question: benefits of various tremolo Bridges

    Quote Originally Posted by Jet-Jaguar View Post
    Sometime this year, I want to put together a guitar from parts. Right now, I'm focusing on learning to play, but that's my eventual goal. Anyway, eventually I'm going to have to make a decision on which bridge to put in it.

    What are the benefits of, say, a bigsby versus a vintage fender versus a modern two-point fender versus a Floyd Rose? (Did I leave anyone out?) I know a Floyd Rose is never supposed to go out of tune, but after playing my Hwy 1 strat and having it rarely go out of tune, I wonder if that that really a big issue?

    Also, am I correct in assuming that FR bridges allow you to go further up or down in pitch? Or is it just that people with FR bridges use them more? I've heard they're also brighter.

    It seems that some bridges, like the Bigsby and the Jazzmaster bridge, are put on simply for tradition's sake. Is this true?

    I've been trying to gleam these answers from other posts, but I'm thinking a straight question might give better info.
    IMO any trem will work well / stay in tune well if the nut is cut properly. The whole idea is to reduce friction. Set up the bridge well make sure the bridge does not bind at the screws and pivots. My vintage trem on my strat copy works well..I am not talking about dive bombs on it yes it works very well. I got Dan Erlwine's book Guitar Player's Repair Guide and got lots of tips on making the trem work well. IMO far to many go buy a guitar with a Floyd or a locking trem when they don't need one and would do better with a vintage or a modern two point trem. I dive bombs occasionally with the trem on my Ibby it has the modern two point trem and it works very well stays in tune.
    Honestly it is your call how much do you wanna use the trem.. for occasional,little moderate a Vinatge trem a modern two point trem will work very Well for a Occaional dive and pull. You would want a Floyd if you want a lot of trem abuse like Vai ext Dont get me wrong I love Floyds and they have there place.
    Last edited by Jocelyn; 02-06-2009 at 11:58 AM.
    Digitech Bad Monkey,digitech Digi delay,
    Ibanez SA 120- Bridge JB Trembucker Neck Jazz
    JFG Flying V, Egmond 1963 LP-stock pickups, Strat copy SSL1s


    John 8:32 Then you will know the truth, and the truth will set you free."

  4. #4
    Mojo's Minions Christopher Caruana's Avatar
    Join Date
    Sep 2008
    Location
    the paradise city, where the grass is green and the girls are pretty
    Age
    23
    Posts
    3,580
    Likes (Given)
    0
    Likes (Received)
    8

    Default Re: Noob Question: benefits of various tremolo Bridges

    ya i forgot to say, if you want to do eddie van halen dive bomb/piched harmonic screams, then you're looking for a floyd rose. But if you just want to subtle vibrato stuff, then you want a bigsby/fender trem
    2009 Gibson Les Paul Custom
    2006 Charvel San Dimas RI
    1986 Laney AOR "Pro Tube" 100MV
    Majik Box Doug Aldrich "Rocket Fuel"

    "Make your own way, my young apprentice and your journey to the tone side will be complete. swapping mags is the pathway to many abilities some consider to be un-natural tone."

  5. #5
    Ultimate Tone Slacker Jocelyn's Avatar
    Join Date
    Mar 2004
    Location
    Mumbai (INDIA) Are You SEYMOURISED?
    Age
    35
    Posts
    2,090
    Likes (Given)
    188
    Likes (Received)
    21

    Default Re: Noob Question: benefits of various tremolo Bridges

    Quote Originally Posted by Christopher Caruana View Post
    ya i forgot to say, if you want to do eddie van halen dive bomb/piched harmonic screams, then you're looking for a floyd rose. But if you just want to subtle vibrato stuff, then you want a bigsby/fender trem
    Exactly you know I wanted a floyd so badly a few years back,, just because I did not want the trem to go out of tune. I thought it would be cool to dive and pull. But I did find my self using the trem occasionally whenever I picked a guitar with a trem, and coming to this forum was and is such a blessing, lots of good and great advice. so decided I did not want a Floyd. So when I went hunting for my current main guitar I looked for something like a wilkinson or a modern two point trem and i must say I am not disappointed at all.

    I still want to get a FLOYD guitar to make NOISE and dive BOMBS and PULLS :
    Digitech Bad Monkey,digitech Digi delay,
    Ibanez SA 120- Bridge JB Trembucker Neck Jazz
    JFG Flying V, Egmond 1963 LP-stock pickups, Strat copy SSL1s


    John 8:32 Then you will know the truth, and the truth will set you free."

  6. #6
    Toneologist
    Join Date
    Jun 2008
    Location
    Denver, CO
    Age
    29
    Posts
    915
    Likes (Given)
    0
    Likes (Received)
    1

    Default Re: Noob Question: benefits of various tremolo Bridges

    In a guitar that is properly set up with good quality parts (including, nut, saddles, bridge, tuners, etc.) light tremolo use shouldn't send the guitar out of tune. However, in my experience, the more frequent and more aggressive the trem use, the more likely it is that you will go out of tune.

    I've played on guitars with a vintage Fender 6 point tremolo, two point non-locking tremolo's such as Fenders, FR-like double-locking setups and hardtails. My experiences are thus:

    A Fender six point temolo sits flat against the body of a guitar, much like a hardtail, except the underside of it facing the neck has been knife-edged. Thus, you can do pitch shifts down, but not up. This works finde for light trem use, such as the occasional pitch shift down a half or quarter step to add something interesting to your playing. Every time I got too aggressive with a six point Fender trem (i.e. frequent dive bombs, bending pitch down till the strings went slack), the guitar would go out of tune. I speculate this is because the strings are not locked at either the nut or the saddles and thus can slide through on either end during the bend, then get bound or stuck when returning from the bend, messing with the tension on the string and thus sending your turning out of whack.

    I haven't played a Fender two point trem. I have played similar looking two point trems that could be set up to be floating above the body slightly, allowing one to pitch bends both up as well as down. However, again these setups did not lock at either the nut or the saddles, and I would imagine they could suffer the same tuning instability on heavy use as the 6-point trem would.

    The Floyd setup is quite different. In addition to being fully floating, the strings are locked at both the saddles and the nut. Thus no additional string can slide past either on a bend. If the Floyd is properly set up, including stretching the strings when installing them so they do not stretch on pitch bends, the tuning on a Floyd can be very stable. Properly set up, A floyd will stand up to more trem (ab)use than the two above will. However, they can be a bit of a pain to set up. You have to balance the overall tension of the guitars strings with the springs which anchor the tremolo to the body so it will float properly. Thus, if you change tunings or string gauges, you'll probably have to adjust the trem's springs to compensate. Initial tuning can be a pain, because tuning one string will tend to make the other strings go flat, thus you have to tune the other strings sharp by the right amount so all of the strings are in tune by the time you've turned the last string. Once you have all your initial setup done, the guitar will stay in tune, needing only little to no adjustment to stay there, despite frequent trem (ab)use, for the life of the strings. It's just getting the initial setup done that can be a PITA.

  7. #7
    Ultimate Tone Slacker Jocelyn's Avatar
    Join Date
    Mar 2004
    Location
    Mumbai (INDIA) Are You SEYMOURISED?
    Age
    35
    Posts
    2,090
    Likes (Given)
    188
    Likes (Received)
    21

    Default Re: Noob Question: benefits of various tremolo Bridges

    Quote Originally Posted by Koreth View Post
    In a guitar that is properly set up with good quality parts (including, nut, saddles, bridge, tuners, etc.) light tremolo use shouldn't send the guitar out of tune. However, in my experience, the more frequent and more aggressive the trem use, the more likely it is that you will go out of tune.

    I've played on guitars with a vintage Fender 6 point tremolo, two point non-locking tremolo's such as Fenders, FR-like double-locking setups and hardtails. My experiences are thus:

    A Fender six point temolo sits flat against the body of a guitar, much like a hardtail, except the underside of it facing the neck has been knife-edged. Thus, you can do pitch shifts down, but not up. This works finde for light trem use, such as the occasional pitch shift down a half or quarter step to add something interesting to your playing. Every time I got too aggressive with a six point Fender trem (i.e. frequent dive bombs, bending pitch down till the strings went slack), the guitar would go out of tune. I speculate this is because the strings are not locked at either the nut or the saddles and thus can slide through on either end during the bend, then get bound or stuck when returning from the bend, messing with the tension on the string and thus sending your turning out of whack.

    I haven't played a Fender two point trem. I have played similar looking two point trems that could be set up to be floating above the body slightly, allowing one to pitch bends both up as well as down. However, again these setups did not lock at either the nut or the saddles, and I would imagine they could suffer the same tuning instability on heavy use as the 6-point trem would.

    The Floyd setup is quite different. In addition to being fully floating, the strings are locked at both the saddles and the nut. Thus no additional string can slide past either on a bend. If the Floyd is properly set up, including stretching the strings when installing them so they do not stretch on pitch bends, the tuning on a Floyd can be very stable. Properly set up, A floyd will stand up to more trem (ab)use than the two above will. However, they can be a bit of a pain to set up. You have to balance the overall tension of the guitars strings with the springs which anchor the tremolo to the body so it will float properly. Thus, if you change tunings or string gauges, you'll probably have to adjust the trem's springs to compensate. Initial tuning can be a pain, because tuning one string will tend to make the other strings go flat, thus you have to tune the other strings sharp by the right amount so all of the strings are in tune by the time you've turned the last string. Once you have all your initial setup done, the guitar will stay in tune, needing only little to no adjustment to stay there, despite frequent trem (ab)use, for the life of the strings. It's just getting the initial setup done that can be a PITA.
    Very well put..On a vintage trem I like setting the trem a little off the body, so that it does not sit flat on it. I can then pull on it a little. It works well in my strat. Yes if go Heavy dive bombs or havey usage it is gooa go out for sure.
    Digitech Bad Monkey,digitech Digi delay,
    Ibanez SA 120- Bridge JB Trembucker Neck Jazz
    JFG Flying V, Egmond 1963 LP-stock pickups, Strat copy SSL1s


    John 8:32 Then you will know the truth, and the truth will set you free."

  8. #8
    Mojo's Minions Christopher Caruana's Avatar
    Join Date
    Sep 2008
    Location
    the paradise city, where the grass is green and the girls are pretty
    Age
    23
    Posts
    3,580
    Likes (Given)
    0
    Likes (Received)
    8

    Default Re: Noob Question: benefits of various tremolo Bridges

    Quote Originally Posted by Koreth View Post
    In a guitar that is properly set up with good quality parts (including, nut, saddles, bridge, tuners, etc.) light tremolo use shouldn't send the guitar out of tune. However, in my experience, the more frequent and more aggressive the trem use, the more likely it is that you will go out of tune.

    I've played on guitars with a vintage Fender 6 point tremolo, two point non-locking tremolo's such as Fenders, FR-like double-locking setups and hardtails. My experiences are thus:

    A Fender six point temolo sits flat against the body of a guitar, much like a hardtail, except the underside of it facing the neck has been knife-edged. Thus, you can do pitch shifts down, but not up. This works finde for light trem use, such as the occasional pitch shift down a half or quarter step to add something interesting to your playing. Every time I got too aggressive with a six point Fender trem (i.e. frequent dive bombs, bending pitch down till the strings went slack), the guitar would go out of tune. I speculate this is because the strings are not locked at either the nut or the saddles and thus can slide through on either end during the bend, then get bound or stuck when returning from the bend, messing with the tension on the string and thus sending your turning out of whack.

    I haven't played a Fender two point trem. I have played similar looking two point trems that could be set up to be floating above the body slightly, allowing one to pitch bends both up as well as down. However, again these setups did not lock at either the nut or the saddles, and I would imagine they could suffer the same tuning instability on heavy use as the 6-point trem would.

    The Floyd setup is quite different. In addition to being fully floating, the strings are locked at both the saddles and the nut. Thus no additional string can slide past either on a bend. If the Floyd is properly set up, including stretching the strings when installing them so they do not stretch on pitch bends, the tuning on a Floyd can be very stable. Properly set up, A floyd will stand up to more trem (ab)use than the two above will. However, they can be a bit of a pain to set up. You have to balance the overall tension of the guitars strings with the springs which anchor the tremolo to the body so it will float properly. Thus, if you change tunings or string gauges, you'll probably have to adjust the trem's springs to compensate. Initial tuning can be a pain, because tuning one string will tend to make the other strings go flat, thus you have to tune the other strings sharp by the right amount so all of the strings are in tune by the time you've turned the last string. Once you have all your initial setup done, the guitar will stay in tune, needing only little to no adjustment to stay there, despite frequent trem (ab)use, for the life of the strings. It's just getting the initial setup done that can be a PITA.
    not all floyds are floating though. I have the floyd on my kramer sitting flush to the body because im not into pulling the tremolo up, only down. and adjusting a floyd is NOT that hard if you take the time learn how to do it. Once set up my floyd properly, tuned and then locked the nut down........ive not had to tune again in about two weeks! with floyds, its all about time and patience. If you have those two things, your floyd rose will become your best friend
    2009 Gibson Les Paul Custom
    2006 Charvel San Dimas RI
    1986 Laney AOR "Pro Tube" 100MV
    Majik Box Doug Aldrich "Rocket Fuel"

    "Make your own way, my young apprentice and your journey to the tone side will be complete. swapping mags is the pathway to many abilities some consider to be un-natural tone."

  9. #9
    Ultimate Tone Slacker Jocelyn's Avatar
    Join Date
    Mar 2004
    Location
    Mumbai (INDIA) Are You SEYMOURISED?
    Age
    35
    Posts
    2,090
    Likes (Given)
    188
    Likes (Received)
    21

    Default Re: Noob Question: benefits of various tremolo Bridges

    Quote Originally Posted by Christopher Caruana View Post
    not all floyds are floating though. I have the floyd on my kramer sitting flush to the body because im not into pulling the tremolo up, only down. and adjusting a floyd is NOT that hard if you take the time learn how to do it. Once set up my floyd properly, tuned and then locked the nut down........ive not had to tune again in about two weeks! with floyds, its all about time and patience. If you have those two things, your floyd rose will become your best friend
    Yeah I know I still wanna get a Floyd guitar for that Occasional heavy use.. I think I will get my self a Kramer but sadly thats not gonna be any time soon
    Digitech Bad Monkey,digitech Digi delay,
    Ibanez SA 120- Bridge JB Trembucker Neck Jazz
    JFG Flying V, Egmond 1963 LP-stock pickups, Strat copy SSL1s


    John 8:32 Then you will know the truth, and the truth will set you free."

  10. #10
    Mojo's Minions Christopher Caruana's Avatar
    Join Date
    Sep 2008
    Location
    the paradise city, where the grass is green and the girls are pretty
    Age
    23
    Posts
    3,580
    Likes (Given)
    0
    Likes (Received)
    8

    Default Re: Noob Question: benefits of various tremolo Bridges

    Quote Originally Posted by Jocelyn View Post
    Yeah I know I still wanna get a Floyd guitar for that Occasional heavy use.. I think I will get my self a Kramer but sadly thats not gonna be any time soon
    ya i have a Les Paul (stop tail) and a kramer baretta (floyd rose) so if i ever get tired of one........i can switch!
    2009 Gibson Les Paul Custom
    2006 Charvel San Dimas RI
    1986 Laney AOR "Pro Tube" 100MV
    Majik Box Doug Aldrich "Rocket Fuel"

    "Make your own way, my young apprentice and your journey to the tone side will be complete. swapping mags is the pathway to many abilities some consider to be un-natural tone."

  11. #11
    Toneologist
    Join Date
    Jun 2008
    Location
    Denver, CO
    Age
    29
    Posts
    915
    Likes (Given)
    0
    Likes (Received)
    1

    Default Re: Noob Question: benefits of various tremolo Bridges

    Quote Originally Posted by Christopher Caruana View Post
    not all floyds are floating though. I have the floyd on my kramer sitting flush to the body because im not into pulling the tremolo up, only down. and adjusting a floyd is NOT that hard if you take the time learn how to do it. Once set up my floyd properly, tuned and then locked the nut down........ive not had to tune again in about two weeks! with floyds, its all about time and patience. If you have those two things, your floyd rose will become your best friend
    Agreed, it is about time and patience, and a Floyd that's properly set up will have beautiful tuning stability. However, a vintage trem will still be simpler to set up, and take less time to re-string and re-tune when your strings wear out than a floating Floyd will.

  12. #12
    Electron Herder glassman's Avatar
    Join Date
    Aug 2008
    Location
    Fort Wayne, IN
    Age
    48
    Posts
    2,103
    Likes (Given)
    2
    Likes (Received)
    10

    Default Re: Noob Question: benefits of various tremolo Bridges

    I put a Kahler Hybrid on one of my Strats recently. They really improved them over the years. The new ones have a standard type spring instead of the flex plate thing they used to have. It floats and can be manually locked down if you don't want the trem feature any more. They have quite a bit of mass to them and sound very connected and fat. There are a lot of material options available to tailor the tone to your tastes (steel, brass or aluminum block).

    I paid a little over $100 new for mine.

  13. #13
    Tone Member Atomic Chameleon's Avatar
    Join Date
    Aug 2008
    Location
    San Diego
    Age
    26
    Posts
    149
    Likes (Given)
    0
    Likes (Received)
    0

    Default Re: Noob Question: benefits of various tremolo Bridges

    I think a lot of people don't realize that if the neck pocket is cut deep enough, a Floyd can be set up flush-mount with the body, thus eliminating much of the hassle associated with them. I love the playability of floaters (easier dips, reverse divebombs, bar flutter, easier to bend strings) but gotta admit it's a ***** to remove all 6 strings at once for fretboard cleaning.

    If you don't want to deal with using a hex wrench to lock the strings at the bridge and nut at all, a 2-point trem with staggered locking tuners is the way to go. The Gotoh 510TS-FE1 is what Suhr, Anderson, and GMW use so I'd vote that.
    "There are three types of people in the world: those who can count, and those who can't."

  14. #14
    Mojo's Minions Christopher Caruana's Avatar
    Join Date
    Sep 2008
    Location
    the paradise city, where the grass is green and the girls are pretty
    Age
    23
    Posts
    3,580
    Likes (Given)
    0
    Likes (Received)
    8

    Default Re: Noob Question: benefits of various tremolo Bridges

    Quote Originally Posted by Atomic Chameleon View Post
    I think a lot of people don't realize that if the neck pocket is cut deep enough, a Floyd can be set up flush-mount with the body, thus eliminating much of the hassle associated with them. I love the playability of floaters (easier dips, reverse divebombs, bar flutter, easier to bend strings) but gotta admit it's a ***** to remove all 6 strings at once for fretboard cleaning.

    If you don't want to deal with using a hex wrench to lock the strings at the bridge and nut at all, a 2-point trem with staggered locking tuners is the way to go. The Gotoh 510TS-FE1 is what Suhr, Anderson, and GMW use so I'd vote that.
    you can do that, or hell, you can even take a guitar like a strat that has a two point or vintage tremolo and put a locking nut on your neck, or just swap out the neck for one that already has one on there. Their are many different roads to go down
    2009 Gibson Les Paul Custom
    2006 Charvel San Dimas RI
    1986 Laney AOR "Pro Tube" 100MV
    Majik Box Doug Aldrich "Rocket Fuel"

    "Make your own way, my young apprentice and your journey to the tone side will be complete. swapping mags is the pathway to many abilities some consider to be un-natural tone."

  15. #15
    Mojo's Minions blueman335's Avatar
    Join Date
    Jan 2006
    Location
    Florida
    Posts
    13,621
    Likes (Given)
    10
    Likes (Received)
    92

    Default Re: Noob Question: benefits of various tremolo Bridges

    Besides the additional set-up, tuning, and re-stringing issues, any trem also causes reduced string vibrations transferred to the guitar body, and therefore to some degree, a reduction of tone quality.

    Does a few whammy tricks make all this worthwhile? I dont know.

  16. #16
    Mojo's Minions Christopher Caruana's Avatar
    Join Date
    Sep 2008
    Location
    the paradise city, where the grass is green and the girls are pretty
    Age
    23
    Posts
    3,580
    Likes (Given)
    0
    Likes (Received)
    8

    Default Re: Noob Question: benefits of various tremolo Bridges

    Quote Originally Posted by blueman335 View Post
    Besides the additional set-up, tuning, and re-stringing issues, any trem also causes reduced string vibrations transferred to the guitar body, and therefore to some degree, a reduction of tone quality.

    Does a few whammy tricks make all this worthwhile? I dont know.
    thats why you flush mount your tremolo. with the trem in contact with the body, the string's vibrations will be able to transfer through the body
    2009 Gibson Les Paul Custom
    2006 Charvel San Dimas RI
    1986 Laney AOR "Pro Tube" 100MV
    Majik Box Doug Aldrich "Rocket Fuel"

    "Make your own way, my young apprentice and your journey to the tone side will be complete. swapping mags is the pathway to many abilities some consider to be un-natural tone."

  17. #17
    Mojo's Minions Petrovsk Mizinski's Avatar
    Join Date
    Feb 2008
    Location
    Melbourne, Australia.
    Age
    24
    Posts
    3,745
    Likes (Given)
    0
    Likes (Received)
    5

    Default Re: Noob Question: benefits of various tremolo Bridges

    My favorite set up is a 2 point non locking trem with locking tuners.
    Doesn't have the range of movement of a Floyd, but if you're like me and only use a trem for more subtle things, then it's a far better and easier to set up option IMO.

  18. #18
    Ultimate Tone Slacker Jocelyn's Avatar
    Join Date
    Mar 2004
    Location
    Mumbai (INDIA) Are You SEYMOURISED?
    Age
    35
    Posts
    2,090
    Likes (Given)
    188
    Likes (Received)
    21

    Default Re: Noob Question: benefits of various tremolo Bridges

    Quote Originally Posted by HughesJB4 View Post
    My favorite set up is a 2 point non locking trem with locking tuners.
    Doesn't have the range of movement of a Floyd, but if you're like me and only use a trem for more subtle things, then it's a far better and easier to set up option IMO.
    +1 My fav too, I do love the vintage trem too they have diff feel and tone. IMO both work well with the Two point giving excellent trem stability.
    Digitech Bad Monkey,digitech Digi delay,
    Ibanez SA 120- Bridge JB Trembucker Neck Jazz
    JFG Flying V, Egmond 1963 LP-stock pickups, Strat copy SSL1s


    John 8:32 Then you will know the truth, and the truth will set you free."

  19. #19
    Senior Member DrownInk's Avatar
    Join Date
    Dec 2007
    Location
    The other side...
    Age
    28
    Posts
    79
    Likes (Given)
    0
    Likes (Received)
    0

    Default Re: Noob Question: benefits of various tremolo Bridges

    I'm going counterculture in my response....get a jaguar or mustang bridge And learn how to set it up properly...that way Every other guitar you ever deal with from then on will be a breeze to set up. Unless you plan on divebombing it all the time, then you will want a floyd rose or some other good bridge and locking tuners, maybe a rolling nut. But the mustang will make you trem arm strong like a horse, and the jaguar will make your picking hand as quick, fast and delicate as a.....jaguar....very articulate.

  20. #20
    Toneologist SlayerSlaughter's Avatar
    Join Date
    Jan 2009
    Location
    Queens/Long Island, NY
    Posts
    733
    Likes (Given)
    0
    Likes (Received)
    0

    Default Re: Noob Question: benefits of various tremolo Bridges

    My Epi has a Bigsby and that sounds amazing for bluesy jam type songs. I also have a Hamer with a 2 point, and that one is great for Classical Rock, and Modern, Than my Dean has a Floyd, and I play all my Metal/Death Metal and crazy Solo Screams and Dives on that. (+ a Double Whammy Pedal for extra pitch)

    They all work well, but it depends on what your going for.
    Quote Originally Posted by Funkfingers View Post
    Soooooooooooo, You've obviously never encountered SlayerSlaughter.

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •