Ernie Ball 10-46
i've tried D'addario's i the past and for some reason, i just cant seem to like them as much. No real reason other than "feel"



Ernie Ball 10-46
i've tried D'addario's i the past and for some reason, i just cant seem to like them as much. No real reason other than "feel"



I use them on my "metal" guitars, I like the crisper bass response and how they hold a note in tune when I really hit it, as opposed to a lighter string which will go sharp, then come back to pitch.
Standard 10-46 or 11-48 for more "Standard" guitars, the Strat and Tele.
Last edited by PFDarkside; 04-18-2009 at 12:49 PM.
Hybrid Slinkys 9-46 with an 8 on the high E.



Fender scales are standard tuned and strung with DR Pure Blues 10-46.
Gibson scales are Eb (occasionally with a dropped Db) and strung with DR Tite Fit 11-50.
Duncan Pickups in currently in use: '59 (rewound to PATB-3)/'59, Custom 5/AP2H, Tapped QP set for Tele, Duncan Distortion, SP90-1/SP90-2



Squier Strat and Fender Tele are 10-46 and my Gretsch is currently 10-46, but in a day or so I'll be changing them to 11-48.



D'Addarios XL 10-52 in all electrics, D'Addarios EXP15 Extra Light 10-47 in my Takamine acoustic, Hannabach extra high tension in my classic guitar.
Pepe aka Lt. Kojak
Milano, Italy
I like Ernie Ball strings. Stretch 'em properly when you put them on the guitar and tuning will be very stable over the rest of the life of the strings. On my Floyd equipped axe, the strings will become tarnished and rusted up and down their entire length and sound utterly lifeless and dead before they go out of tune more than the 3 to 5 cents that comes with temperature and humidity changes.
All sets are for 25.5" scale
09 12 16p 24w 32 44
E4 B3 G3 D3 A2 E2 (standard)
I like the slightly thicker B and low E strings. gives me a perfect rise in tension from lowest to highest string.
10 14 18p 26w 36 56
D4 A3 F3 C3 G2 C2 (drop C)
I use the fat 56 for the low C because otherwise it feels too loose and floppy in relation to the rest of the strings. This set gives me about the same individual and overall string tension as the set of 9s above, so feel doesn't change drastically with the lowered pitch.



Got one more set of 10's left and I have 3 11's on the way.



Kramer Focus: 11-50 (BF#BEG#C#)
Epi Les Paul: 11-48 (CGCFAD)
Peavey strat: 9-46 (Eb)
Fender HM Strat: 9-42 (drop D)
I used to like tuning down with really thick strings, but lately I've been taking the Ty Tabor approach, using light strings and adjusting my attack. It's not that tough to get used to, and there are no tendonitis issues this way.
On the #2 (B/A) string maybe, there's one pound difference between the two sets. There's only a 0.2 pound difference between the sets on the #1 string (E/D), and the #3 string (G/F) has the same tension between sets. If you can tell 0.2 pounds or 0 pounds difference, then more power to you and your awesome fingers.



9-46 in my Ibanez with low action. Plays like butter.
10-46 in my Squier with mid-high action. The higher action makes it sing!
Ibanez SZ320 / A2 Pro neck, Screamin' Demon bridge.
AllParts Strat / Toneriders Pure Vintage set
Partscaster #2 / JB-8 bridge.
Egnater Tweaker 15 + DIY 1x12 cab + Eminence Wizard / Roland Cube 60
Zvex Super Duper, EHX Memory Toy, Keeley BD2, Boss GE-7, CE-2, DD-5, Marshall Jackhammer, EHX Metal Muff TB.

I use 10-52 on all my guitars tunings from standard E to drop C
When the going gets tough And the stomach acids flow
The cold wind of conformity Is nipping at your nose
When some trendy new atrocity Has brought you to your knees
Come with us we'll sail the Seas of Cheese
we should just put this stuff under our user names or something since it comes up every week lol.
as for me, as usual loads of gauges all D'Addario brand.
9 - 46 on some guitars in E
10 - 46 on others in E
10.5 - 48 in Eb
11 - 49 in E and drop D on my les pauls
11 - 52 a full step down in D
it all depends on the guitar and what i need it to do.
-Mike



Right now I have 11-52 (Gibson Vintage Re-issue) on both the LP and ASAT, and my MIM Tele got a set of EB Beefy Slinkys that go from 11-54 with a 22 (!!) plain G. All three are in Eb.
That 22 G makes you really work for those bends and vibrato.
Last edited by guitfiddle; 05-06-2009 at 05:51 PM.
- Tom
Originally Posted by Frankly
Never did the Eagle lose so much time as the day he submitted to learn from the Crow.



Ernie Ball Super Slinkies 9-42(pink package), I play a half step down, or a full step down. I also top wrap them for extra slinky feel![]()
Last edited by Invader09; 05-06-2009 at 09:31 AM.
1975 Fender Stratocaster W/ Floyd Rose + mods
2001 Gibson Les Paul Studio w/Floyd Rose, Scalloped neck, EMG 81/85 Combo
Marshall FJA Signature modded JMP 1979 50 watt
Marshall JVM205H
Marshall 1960AX cabinet(w/ 2 V30's & 2 G12M Greenbacks)
Empty(unloaded)Laney 2x12
+ a bunch of pedals



Lately, 9-42 with a 64 on the low B string.
First time I've tried a 64 and honestly, it's a tad too heavy, it doesn't feel right when making the transition from the 64 gauge to the 42 gauge of the E string, so I'm going to try a 60 gauge low B next.