I've heard about it on here, but have no idea. Sorry.
-dave



I've heard about it on here, but have no idea. Sorry.
-dave
I don't believe anything I say and only half of what you hear....



Hey...I wonder if I could use one of those things in a live performance?
the demise of the music industry (or what's left of it).....
"The only two things in life that make it worth living is guitars that tune good and firm-feeling women."__Waylon Jennings.
"Sic Transit Gloria...Glory Fades"
It bends a pitch a little bit to whatever note you want (usually used for vocals). It's possible to use it live, but it can be somewhat detectable, since it kinda makes the voice sound a little robotic IMO. I think it sounds pretty cool if the pitch is raised a lot though... It was generally made famous by T-Pain, who always uses it.



only the greatest thing since sliced fingers
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A way to help vocalists hit notes they otherwise can't.
I'm for the conservative use of autotune.
It's yet another tool to keep people with no talent hogging all the airwaves. While it's a neat effect when used as an effect, that's all it should be used for. If you cannot hit the note on your own, you have no talent (or a producer/band who is too stupid to retune their instruments to fit the singer's key).



... Cher started that annoying Autotune crap circa '98...
http://en.wikipedia.org/wiki/Believe_(Cher_song)






Insane Clown Posse: What is an Autozone?
http://www.youtube.com/watch?v=X-vAZezhzfY
YUCK!



Country pop, tweener pop, "talent" show contestants, and so many other vacuous self-important wastes of time are using pitch-correction software it's hard to keep track. Even the so-called "real" artists don't always know when it's in the mix.
The funny thing is, people are acting like it's a brand-new thing. Pitch correction has been around since the days of analog magnetic tape. Some engineer figures out "hey, if this guy's singing flat, maybe if I slowed down the tape just a little...!" So he drags his thumb on the supply reel when an artist needs help hitting a high note, and gets the timing just right, so the playback sounds like the artist is nailing it. After that, variable speed controls become a built-in feature on pro tape machines.
I assume there are some who remember the old Eventide Clockworks 1745M and the H949; they were among the first studio rack devices to use RAM for signal processing, and they featured pitch-shifting for manually tuning sound in real time.
There are so many OCD music company execs and "hit" producers willing to let the over-processing become the feature, rather than the song, that the unsuspecting public is led to believe that's the way people are supposed to sound when they're singing. It's a frikkin' iPhone app, fer crapsakes!
Last edited by ginormous; 03-28-2010 at 11:17 PM.



As others have said, it's one thing to use it as an effect, but to use it all the time...There are way too many band out there who have no talent and are using autotune to get ahead. If you don't have the talent, then don't fake it.






It's a priceless tool as a subtle pitch correction that can save a lot of time on the studio. That's OK. But nowadays it's being abused as an effect, giving a robot effect that I personally can't stand.
I hope that robot effect becomes cheesy quickly, so that music producers and engineers start to use it the way it's supposed to be used, again.
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