a sharper attack on the E, A, and D strings
it sounds kind of mushy on a clean to lower gain amp settings
this is in an LTD EC-400vf

a sharper attack on the E, A, and D strings
it sounds kind of mushy on a clean to lower gain amp settings
this is in an LTD EC-400vf



Use a different pick
I say that semi in jest you would be amazed at the tonal differnces you can get in picks. But beyond that I would try to find the exact optimal height, Keep in mind that it doesnt have to be level you can sink one side relative to the other then try and use the screw coil to dial in what you need. Combining moving those adjustments allows for a ton of variation.
If that doesnt get it you could try swapping the screws and stuff but its kinda stabbing in the dark hoping something hits right.
"It keeps you fit - the alcohol, nasty women, sweat on stage, bad food - it's all very good for you." -Bon Scott
"Let me put it this way: the 5150 will treat
you better than any girlfriend, because it screams louder, it's easier to pick up, and it shuts up when you take your plug out." -Rip Glitter



Yeah picks do make a difference. Try some ultex
Cut the screw poles flush with the baseplate, but only under the E, A, and D strings. one of my secret tricks is to cut them on a diagonal (flush on the low E, uncut on the high E) This works really well on double screw pickups. It tightens the field on the low end, and loosens (sweetens) it on the top end.



Hex screws on the D, A, and E (or keep the filisters but cut short on the D, A, and low E strings like Frank suggested); lower the pup on the bass side and raise the pole screws accordingly; use a different pick...Dunlop makes a carbon fiber pick that gives a nice snappy but rich tone.
Originally Posted by IanBallard
Rule of thumb... the more pot you have, the better your tone.
+1 for hex poles. I changed mine under the E, A, D and it tightened the response immensely. Much nicer for rhythm work now.

from where does one get proper hex poles? i read that addiction-fx doesn't have the right kind
Consider upgrading the bridge or, at least, the saddles in the bridge.



Part number 91251A131 on this site should be perfect. http://www.mcmaster.com/



ceramic maggy
-Carlton-
71 LP deluxe goldtop - [chris white custom P90s] http://www.chriswhitepickups.com/
09 LTD H-401FM - [seymourizer/BB3] - triple shots
10 LTD MH-350NT - [PG+/PGb/BB1]
99 LTD M-100 - [customFS hybrid/496R]
Lap steel made from scraps and a GFS A2 HB
classic 50(modded), valveking 100head(modded), bad monkey, cry baby(modded), memory boy, expression factory


If any of these things don't end up working for you, I think a Custom 5 is a great pickup in that guitar.
Make a joyful noise unto the Lord. Psalm 100:1

Amazing advice!
I would also note that the JB likes the low end strings to be struck really hard.
I angle my pick so it cuts across the string diagonally.
Doing so gets more pick to string contact and gives the notes a nice almost cello attack.
Hitting the string straight on doesn't give the pick much time to work on the string, resulting in a rather lackluster attack.
EVH angles his pick attack... so does Lynch, DiMartini, Jake E. Lee etc.



Don't forget Paul Gilbert....... And ME!!!!!!!
I'm with the 'try different picks' crowd. I personally like the Jazz III (the smaller version) for that snap. Can't seem to get it with others.
"The amp has been making a lot of noise and acting funky, perhaps it may be aware of the amount of rock it's about to be punished with" ~GearMannDude
"30 days of dating doesn't seem like cheating. It seems like legitimate playing the field, and you happened to catch a pop fly..." ~Aceman
"If all else fails, wank, fall asleep, come back to it the next day." ~GuitarStv
"The crowd has no perception of tone...only timing and flow." ~Glassman