







standards have always had trap inlays as far as i know. other than that, im of no use



It's called a "Studio Standard".
However he lists production as 84-87 but I think they stopped those in 86.
Also, I'm not sure it has Shaws...



Yep, Studio Standard...they pop up on eBay from time to time....Made for a short while. I always figured they were predecessor to the Studio of today. Someone at Gibson decided the consumer was more interested in trapizoid inlay than binding maybe? Perhaps that made it more affordable? Dunno.....
Only you can decide what "good" sounds like!
"I learned a long time ago that one note can go a long way if it's the right one, and it will whip the guy with twenty quick notes." ~Les Paul



The headstock looks a little funny, but that could just be me.
Gear: More junk than I know what to do with

As long as it is a REAL GIBSON (model irrelevent) $1,500 isn't a bad price. If the Shaw pups (which I know nothing about) are in fact in it, then it's icing on the cake.
LTD M-50 W/ AHB-1 Blackouts.
Douglas Rhoads W/ GFS Crunchy Rails
Douglas Thinline W/ GFS Pro
Epi 100 W/JB-'59
Soloist W/SD-Super 2
SX Strat T.O.M.
Blackstar HT5-H.
Custom 112 cab W/G12 75T.
these are better than current studios? why?



"Their children also shall be dashed to pieces before their eyes; their houses shall be spoiled, and their wives ravished." Isaiah 13:16
"Kill every male among the little ones, and kill every woman that hath known man by lying with him. But all the women children, that have not known a man by lying with him, keep alive for yourselves." Numbers 31:17-18
There was a brief period in the Eighties when Gibson was building their to-a-price LP model with dot inlays and an Alder body. (Same era as the Corvus and Challenger models.)
Glenn, if you are getting on famously with a Gibson SG, just buy a nice example and enjoy it.
A couple years ago I would've said, "Not a chance". Gibson stuff from the 80s is a bit iffy because their build quality wasn't amazing and they used a lot of alder bodies (Explorers & Vs at least) so you'd end up with a guitar that really didn't sound like a Gibson. Current studios have a baked maple board which just isn't my thing (it might be yours).
After seeing your other thread, I have to say that this seems like pretty good advice:
I'll also add that I really like my SG, and I'll like it more as soon as I get the Phat Cats installed.
This is from Wiki:
Studio Custom
The Studio Custom was produced during 84-85. It was introduced before the design of the Studio was finalized, and mostly had the features of a Standard with a variety of features mixed in from other models. It had a mahogany neck and mahogany body with a maple top, single-ply binding around the neck and three-ply binding around the body, and gold hardware with black pickup rings and pick guard. The 1984 models had two-piece tops, while '85 models had three-piece tops. The fingerboard was made from rosewood on some models, ebony on others, and had Mother of Pearl dots for inlays, instead of the usual trapezoids. The neck profile was slim-tapered, like a Standard, and the frets were low, like a "Fretless Wonder" Custom. According to limited information from guitar forums, some of these had the sought-after Tim Shaw pickups.
Studio Standard
The Studio Standard was produced during 1984-86, and was very similar to the Studio Custom, including the "dot" inlays, but had a single-ply binding around the body, chrome hardware, and white pickup rings and pick guard. It was also available in different colors, such as Cherry Sunburst and Ferrari Red.
And more Wiki....
Studio
See also: Gibson Les Paul Studio
The "Studio" model was introduced in 1983, and is still in production. The intended market for this guitar was the studio musician; therefore, the design features of the "Les Paul Studio" were centered on optimal sound output. This model retained only the elements of the Gibson Les Paul that contributed to tone and playability, including the carved maple top and standard mechanical and electronic hardware. However, the Studio design omitted several stock Gibson ornamentations that did not affect sound quality, including the binding on the body and neck. The two notable exceptions to this are the Studio Standard and the Studio Custom. Both models were produced in the mid 1980s, and included body and neck binding, though with dot fingerboard inlays instead of more ornate trapezoids. Currently, the only Les Paul Studio with a classic neck binding and trapezoid inlays is the Les Paul Studio Classic '60s model, a limited edition made for the Sam Ash stores [2]. The first Studios from 83 to 86, except for Studio Standard and Studio Custom, were made with alder bodies rather than mahogany/maple. The current Studios come with a chambered mahogany body with either a maple or mahogany cap. The entry level Les Paul Studio "faded" has a chambered mahogany body and top and a satin finish and is the lowest priced Gibson USA Les Paul.

Studio Standard definitely! I am pretty sure, cause the last time I saw one it was with dot inlays and binding. I have done quite extensive amount of research on that FYI.



They look OK, but like they're missing something. People usually ask too much for them and justify their asking price by using words like "rare" and "limited".....for my money I'd just buy a regular standard.......
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Last edited by metlking; 07-04-2012 at 08:48 AM.
Only you can decide what "good" sounds like!
"I learned a long time ago that one note can go a long way if it's the right one, and it will whip the guy with twenty quick notes." ~Les Paul


One of the last inventions of the Norlin era, the dot inlays was another attempt to reduce cost.



It looks like the real deal to me, but I think the $1500 is outrageous. I mean, pay it if you really want the instrument, but it's seems damned high to me.