


Amps: 66 Fender BF Pro Reverb Combo,1973 50 Watt Marshall Head,Marshall 4x12 A/V Cab,Vox ToneLab LE,Vox VTH Valvetronix 120 Head,Vox AD 2x12 Cab,Roland Cube 20X
Guitars: Several Stratocasters,2 Fender Telecasters,Gibson SG Standard,Tokai Love Rock Les Paul,Dean Acoustic.
Pickups: SD SSL2,SSL5,Twangbanger,Antiquity Surfers,59N,Seth Lover N/B,Dimarzio Fred,Dimarzio VPAF N,Fender Fat 50s,Fralin SP43 Bridge,Brobucker,Antiquity Texas Hot.



Is pissing matches worse than kidney stones?
KILLING THREADS SINCE 2007








TGWIF and STRATDELUXER highlight 2 variations of getting your tone. For Christian, it's all about the amp breakup, so a JTM45 would be too much. It would be very loud if used in that application.
John prefers a cleaner set amp as a base for tone colouring via pedals (incidently, the way I use my JTM45). Therefore he's able to set the amp at a lower volume setting, keeping things clean and dirtying up from his pedalboard.
I have tended to work from a clean platform over recent years, rather than the amps dirt, so my JTM45 has been perfect for me. A beautifully rounded clean tone, that I totally butcher with a Blackstar pedal and my club-fisted noodlings!![]()
Different philosophies, different tones and probably much different music probably account for the difference of opinion. I can't see a leather and stud clad heavy metal guy doing gigs with a Deluxe Reverb. Wrong image.
My drummer just sat in with a friend's band and told me all about it. He said the guitarist had just purchased a new amp - some kind of 100 watt Dumble clone.
The guy could not turn the amp up loud enough to get any output tube overdrive so all of his overdrive seemed to be coming from his pedals.
Ironic. A guy spends a bundle for the ultimate in pure tube tone and then can't turn the amp up so he gets all of his distortion from solid state pedals.
That's just weird.
Last edited by Gypsyblue; 07-05-2012 at 07:19 AM.








And then there is the third way - master volume amps. Crusty calls them a compromise and I understand where he's coming from, but it's a compromise I like. For most gigs my MV Marshalls are turned up enough for the power stage to be adding it's magic, but even when they're not I prefer the Marshall pre-amp dirt to using pedals for the music I play.
And then there is the fourth way - attenuators.
We guitarists of today are lucky boys having so many toys to choose from.
I'm with Stevie on the club-fisted noodling though.
And John and Christian should get a room!
My hair gets longer as the beat gets stronger



Amps: 66 Fender BF Pro Reverb Combo,1973 50 Watt Marshall Head,Marshall 4x12 A/V Cab,Vox ToneLab LE,Vox VTH Valvetronix 120 Head,Vox AD 2x12 Cab,Roland Cube 20X
Guitars: Several Stratocasters,2 Fender Telecasters,Gibson SG Standard,Tokai Love Rock Les Paul,Dean Acoustic.
Pickups: SD SSL2,SSL5,Twangbanger,Antiquity Surfers,59N,Seth Lover N/B,Dimarzio Fred,Dimarzio VPAF N,Fender Fat 50s,Fralin SP43 Bridge,Brobucker,Antiquity Texas Hot.



Amps: 66 Fender BF Pro Reverb Combo,1973 50 Watt Marshall Head,Marshall 4x12 A/V Cab,Vox ToneLab LE,Vox VTH Valvetronix 120 Head,Vox AD 2x12 Cab,Roland Cube 20X
Guitars: Several Stratocasters,2 Fender Telecasters,Gibson SG Standard,Tokai Love Rock Les Paul,Dean Acoustic.
Pickups: SD SSL2,SSL5,Twangbanger,Antiquity Surfers,59N,Seth Lover N/B,Dimarzio Fred,Dimarzio VPAF N,Fender Fat 50s,Fralin SP43 Bridge,Brobucker,Antiquity Texas Hot.



Amps: 66 Fender BF Pro Reverb Combo,1973 50 Watt Marshall Head,Marshall 4x12 A/V Cab,Vox ToneLab LE,Vox VTH Valvetronix 120 Head,Vox AD 2x12 Cab,Roland Cube 20X
Guitars: Several Stratocasters,2 Fender Telecasters,Gibson SG Standard,Tokai Love Rock Les Paul,Dean Acoustic.
Pickups: SD SSL2,SSL5,Twangbanger,Antiquity Surfers,59N,Seth Lover N/B,Dimarzio Fred,Dimarzio VPAF N,Fender Fat 50s,Fralin SP43 Bridge,Brobucker,Antiquity Texas Hot.



Amps: 66 Fender BF Pro Reverb Combo,1973 50 Watt Marshall Head,Marshall 4x12 A/V Cab,Vox ToneLab LE,Vox VTH Valvetronix 120 Head,Vox AD 2x12 Cab,Roland Cube 20X
Guitars: Several Stratocasters,2 Fender Telecasters,Gibson SG Standard,Tokai Love Rock Les Paul,Dean Acoustic.
Pickups: SD SSL2,SSL5,Twangbanger,Antiquity Surfers,59N,Seth Lover N/B,Dimarzio Fred,Dimarzio VPAF N,Fender Fat 50s,Fralin SP43 Bridge,Brobucker,Antiquity Texas Hot.



Amps: 66 Fender BF Pro Reverb Combo,1973 50 Watt Marshall Head,Marshall 4x12 A/V Cab,Vox ToneLab LE,Vox VTH Valvetronix 120 Head,Vox AD 2x12 Cab,Roland Cube 20X
Guitars: Several Stratocasters,2 Fender Telecasters,Gibson SG Standard,Tokai Love Rock Les Paul,Dean Acoustic.
Pickups: SD SSL2,SSL5,Twangbanger,Antiquity Surfers,59N,Seth Lover N/B,Dimarzio Fred,Dimarzio VPAF N,Fender Fat 50s,Fralin SP43 Bridge,Brobucker,Antiquity Texas Hot.



Amps: 66 Fender BF Pro Reverb Combo,1973 50 Watt Marshall Head,Marshall 4x12 A/V Cab,Vox ToneLab LE,Vox VTH Valvetronix 120 Head,Vox AD 2x12 Cab,Roland Cube 20X
Guitars: Several Stratocasters,2 Fender Telecasters,Gibson SG Standard,Tokai Love Rock Les Paul,Dean Acoustic.
Pickups: SD SSL2,SSL5,Twangbanger,Antiquity Surfers,59N,Seth Lover N/B,Dimarzio Fred,Dimarzio VPAF N,Fender Fat 50s,Fralin SP43 Bridge,Brobucker,Antiquity Texas Hot.



Yes, SD did mean Stratdeluxer. So many helpful people on this forum. SirJackedfuzz and King Izo))) as well and lots of others.
Political Correctness is a doctrine, fostered by a delusional, illogical minority, and rabidly promoted by an unscrupulous mainstream media, which holds forth the proposition that it is entirely possible to pick up a turd by the clean end.



Nice thoughts, cats! It really sums up the random gear-thoughts I've been having lately.
I'll chime in more later
- BlueBurst Campellone Standard CSTM (Kent Armstrong Johnny Smith Mini HB n)
- Pelham Blue Gibson DG-335 (Antiquity n/'78 b)
- Goldtop Gibson R7 (Antiquity HBs)
- Teal Green Metallic Fender '56 NOS Strat (Antiquity Surfers n&m/Antiquity Texas Hot Custom b)
- Tungsten Buckwheat
- Fender '57 Tweed Twin-Amp
- Vintage Sound Amps VS112P (Princeton Reverb clone)
- Henriksen JazzAmp 110



Amps: 66 Fender BF Pro Reverb Combo,1973 50 Watt Marshall Head,Marshall 4x12 A/V Cab,Vox ToneLab LE,Vox VTH Valvetronix 120 Head,Vox AD 2x12 Cab,Roland Cube 20X
Guitars: Several Stratocasters,2 Fender Telecasters,Gibson SG Standard,Tokai Love Rock Les Paul,Dean Acoustic.
Pickups: SD SSL2,SSL5,Twangbanger,Antiquity Surfers,59N,Seth Lover N/B,Dimarzio Fred,Dimarzio VPAF N,Fender Fat 50s,Fralin SP43 Bridge,Brobucker,Antiquity Texas Hot.



Haha, I don't feel worthy of mention, I'm actually a drummer.
That said, I know I'm a neanderthal, but I don't think a JTM45 would carry over my drumming, seriously, ask Drew if he ever comes around again.
I practice at home with a little 5w amp and use pedals, sounds OK, but I wouldn't want to record anything with it (I really need a decent practice/home recording amp). For the type of gigs I would be playing (if I were playing guitar in a band) I might feel just adequate with my Butcher full stack or my Boogie rig (Mark III with a 4x12 and a 2x12). I practice with either at pretty much show volume when I'm at the space. The Mig60 and DC-5 I used to have were neither loud enough, that's why I don't have them anymore.
We're all just doing such different things, so it's not so easy to say whether a JTM45 would work for you or not. To me it would be a practice/special sound amp, like why I want a tweed deluxe. To some doing blues gigs, or wedding gigs, or something else, volume really could be an issue.
Practical? No.
Fun. Yes.
There is a reason MV amps came to the forefront.
NMV, MV, doesn't matter until those speakers are moving some air.
I'm an internet person. All we do is waste time evaluating things that have next-to-zero real world significance.
Remember, it's just a plank of wood. YOU have to find the music in it - The Telecaster Handbook