I love all my guitars...so this sweet shred machine is as good as any
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Last edited by Phantasmagoria; 07-17-2012 at 12:27 AM.
The CNC machines don't care what country they happen to be residing in..


Guitars;PRS JA-15, PRS Hollowbody II. Warmoth/USACG STRAT, USACG TELE(w/Don Mare set) MIA STRAT (w/ novaks). Carvin CS-6, Tacoma DM6 acou/elect. Cordoba GK-Studio, fender active deluxe 5 jazz bass. Amp;MESA roadking/ Dual rectifier. Effects; MXR stereo chorus, T.C. Elect. Flashback, Golden Cello.
"I am not ashamed of the good news of JESUS CHRIST"
CHRIST


Guitars;PRS JA-15, PRS Hollowbody II. Warmoth/USACG STRAT, USACG TELE(w/Don Mare set) MIA STRAT (w/ novaks). Carvin CS-6, Tacoma DM6 acou/elect. Cordoba GK-Studio, fender active deluxe 5 jazz bass. Amp;MESA roadking/ Dual rectifier. Effects; MXR stereo chorus, T.C. Elect. Flashback, Golden Cello.
"I am not ashamed of the good news of JESUS CHRIST"
CHRIST



This old boy serves me well
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Originally Posted by Gearjoneser
You've been hit by, you've been struck by....... Simon the Moderator


My number one right now:
A close second, now that my buzz/hum issue is taken care of:
]
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-=The Dali
--== Unabashed Alex Lifeson Fan
Gilmour Strat Build Thread
Murray Strat Build Thread
Knopfler Strat Build Thread






I've owned 2 PRS and 2 EBMM guitars with rosewood necks and that's been my experience as well. More low-mids, smoother highs, and a lovely feel without any finish.
My recent acquisition of an EBMM Axis makes me think I might prefer the feel of Tru Oil & wax on maple to unfinished rosewood. That's quite a change since rosewood has been my Holy Grail of neck woods for the past eight years.
My OW CS JB strat, dunno if I have a #1, I like my green CS Tele just as much....
But the strat is the guitar that I really connects with.
Same with the Tele, allthough it is a wee bit more mood oriented.
They both have all the things I like about guitars.
Last edited by Vasshu the humanoid typhoon; 10-02-2012 at 10:49 PM.
Not gonna miss you know!
Information is not knowledge.
hum ... one of these
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_____________________________
Anderson Lake Blues Project
http://www.soundclick.com/andersonlakebluesproject



Believe me when I say that some of the most amazing music in history was made on equipment that's not as good as what you own right now.
Jol Dantzig


the 5 standing in front of the amps, from the right.
a hollow body, 2 stoptail solidbodies (that is heavy guys, solid purpleheart back with a solid rosewood top, solid padouk back with solid wenge top! 6kilo's, each guitar!) and 2 floyd'd les pauls. here are some better pics.
I could do with these for the rest of my life. These are the only guitars I need. period.


in their 'almost complete' state. I modified the floyd'd les pauls with an easier wiring (more foolproof and assh0leproof; it won't break down, the s1 switch was too fragile for me) and with neck-matching timber backplates. I will modify the stoptail solidbody guitars with new middle pickups when I get my zephyrs for the hollowbody. Or maybe I'll have a guitar build around the zephyrs and put something completely different in the middle positions of the solid stoptail guitars. It's not like I have no pickups whatsoever.



Wow!!!
Some really, really nice guitars in this thread.
Looks like you guys rock. Literally.
Originally Posted by IanBallard
Rule of thumb... the more pot you have, the better your tone.





just read what I wrote. they are all my #1. It depends so strongly on the style. for jazz or smooth bluesrock like robben ford, it's the hollowbody. for 80ies hair metal is the purplemist burst with floyd. For 80ies rock or metal it's the solid body rosewood top. For bluesrock with an edge, it's the wenge top and for harder metal or rock, the koa.
so... Not 1 number 1, but five. Five out of 31, ain't to bad?