OK, so, for out Medium output Neck Humbucker with Parallel Axis and blade coils, we need to decide what kind of voice.
Poll coming!
Bright and airy, focus on highs
Open and Crunchy, focus on upper mids
Thick and articulate, focus on lower mids
Dark and ominous, focus on lows



OK, so, for out Medium output Neck Humbucker with Parallel Axis and blade coils, we need to decide what kind of voice.
Poll coming!
Last edited by pinto79; 07-28-2012 at 10:56 PM.


I voted thick and articulate but I could definitely go for open and crunchy too



Bright and Airy. I like that.
Digitech Bad Monkey,digitech Digi delay,
Ibanez SA 120- Bridge JB Trembucker Neck Jazz
JFG Flying V, Egmond 1963 LP-stock pickups, Strat copy SSL1s
John 8:32 Then you will know the truth, and the truth will set you free."


Thick and articulate...
this is going to be a strange, but good pickup
LtKojak, on the theory of having too many guitars...
Also, I'd like to remind you that the very concept of having "too many guitars" just doesn't exist. It's been selfishly created by parents and/or girlfriends/wives to lure you to stay away of your passions just to have more of YOUR money and YOUR time at THEIR disposal!



I was a little confused by these options as I consider some to not be self-excluding.
I went for Open and Crunchy but I could def. see myself wanting it to split/tap/whatever to a Bright and Airy 2nd tone![]()



What I want thingie to do is do something about many Les Pauls being too boomy on the neck pickup.



I have never heard a "crunchy" neck pickup. I dunno if that could even be applied to neck pickups...
Although I hooked up a PAF Pro in neck pos. to a 1meg volume pot and it was really difficult to tell it apart from the bridge bucker with a 500k volume. But I digress...
I think focus on uppermids/highs is important. I voted highs just cuz "Open" means the same to me as "bright and airy". And cuz I don't get how a neck pickup can be crunchy.
My Music: Check it
Magswap tutorial: http://www.youtube.com/watch?v=jXbzqQZu-Qk
Fender MIJ '62RI strat: Rose BuffBeauty/Robusta/Robusta
Jolly Roger Cutlasscaster: CC/Little'59
Ibanez SAS32: Epi AC+ A8/AC A3
Epi G400: '59A8/'59A4
Boss NS2 & GE7, Crybaby, Fulltone OCD, Korg Pitchblack, TC Nova Repeater
Jet City 100H, Sunn 4x12(Celestion G1265s & WGS Retro 30s)
Persian Rug


Voted open and crunchy. Upper mids and highs in a neck pickup typically make it clear and articulate. Don't really know why you would want to focus on lower mids in a neck 'bucker; even if it was going in a 24 fret guitar. My postulation is that the fact this is a medium wind, which in the neck slot should provide ample midrange heft and warmth anyway.



Gear: More junk than I know what to do with


I think all of those are good, depending on the style you'll play.


I would go for Dark and Ominous if we're looking at a neck pickup. I don't use a neck pup for lead, I use it for rhythm, and I really want something that I can just dig in with and really chug at.
That being said, I'm still open for P90 sized humbuckers of such types as a JB, a Custom, and a Distortion.






Lets call the Pickup Lonnie Simmons.
Digitech Bad Monkey,digitech Digi delay,
Ibanez SA 120- Bridge JB Trembucker Neck Jazz
JFG Flying V, Egmond 1963 LP-stock pickups, Strat copy SSL1s
John 8:32 Then you will know the truth, and the truth will set you free."



Loony Bin...?
Pepe aka Lt. Kojak
Milano, Italy