Anybody use alnico II P-90s of any kind?



Anybody use alnico II P-90s of any kind?



Not after the disappointment of the stock A2's in Phat Cats. In my guitars, the necks were muffled and bridge's puny. That soured me on the whole thing. I have an assortment of different alnicos in my P-90's, but not a single A2. Maybe with the right winding in the right guitars they'd work; I'd think the neck would have to be fairly underwound, and the bridge pretty hot. But it's so easy to get good tones from P-90's with other alnicos, I just don't see the point in screwing around with A2's.
"Completely Conceded Glowing Expert."
I've got Antiquity P-90s (A2) in my Goldtop Les Paul and love them. Much better than the current Gibson P-90s.
2005 Gibson Les Paul Classic - Wizz PAF Clones
2011 Gibson Les Paul Studio 50's Tribute - Wizz Peter Green PAF clones
2011 Gibson Les Paul Studio 60's Tribute - Phat Cats
2011 Epiphone Sheraton II - Gibson T-Tops
1953 Harmony Patrician H1415 Archtop Acoustic
1971-1975 Epiphone FT-130 Caballero Flat-top Acoustic
Epiphone Blues Custom 30 Amp - Modded
Way Huge Echo Puss Analog Delay
Bluesbreaker Clone Pedal



lol...rick and his never ending sad story about phatties and a2.
question...what magnets did gibson use in those old p90s from the 40s and 50s? anyone know?


I had a set of Phat Cats on one of my SG fron the 90's and they did sound good... Dishing out some real P-90's tone
I traded the guitar because the neck was F***t up, and got a 60's Tribute w/ 90's other wise the PH_Cts were doing the job...
Maybe is the wood ?... My ears ?....



I think Phat Cats or A2's in P-90's in general can work, in the right woods and guitar designs. But in mahogany it's a case-by-case basis and not across the board. SG's would fare better than LP's. For me, a Phat Cat in the neck of an LP sounded like it was underwater. Just no treble. But, there are bright LP's that wouldn't have that problem.
I assume Ants are wound differently than Phat Cats, and that might bring out more clarity in the neck.
"Completely Conceded Glowing Expert."
Funny that you ask this question, because I just swapped the magnets to A2 in my P-90's last night. It's a Gibson LP Studio 50's Tribute (currently my sig picture).
I love the sound of A2's. I have a Phat Cat in the neck of my 335 (epi dot actually) and I love it.
It only took me about 20 minutes to swap them. I just loosened the strings a little and slid the pups out. I did install the magnets backwards (south in the middle), but I did them both the same way, so it doesn't matter.
Anyways... on to the results. The neck sounds exactly what I was looking for. In stock form, they just sounded too stale to me. But the neck isn't quite there yet. I'm not sure exactly how to describe it, but it just needs more. So I think I will throw in the UOA5's that I purchased at the same time.
Sorry for not being the best at describing the sounds, but I can say that I do like the sound of it in my neck pup. The neck pup does sound a lot like my Phat Cat, which is what I was after.
I like to play my electrics in the clean to "on the edge of distortion" type sound.
A long time ago, I had an Antiquity P-90 bridge in a an All Warmoth maple neck/swamp ash Thinline Telecaster. They were offering a crazy deal on that body at the time. The guitar was bright and scooped unplugged. The Antiquity really tamed that. I don't think it would have worked well in a naturally dark or mellow sounding guitar.



A2's nice in a neck P90, but you don't want a hot wind with it. even paired with an A5, A2's still a bit underpowered in a bridge P90 IMO
A3 and A4 is an interesting neck mix, a bit harder-sounding than i'd expected (it'd be great for jazz)
A2 and A3 is what i'll try in the neck next.
A5 and A8 in the bridge is pretty damn cool, but that's not what you asked. still haven't tried ceramic and A8, i imagine that pair under a metal cover (ie phat cat) would make quite a beast of itself
wahwah, on gigging in the UAE:
It was refreshing to see Australians abroad, sober. I almost didn't recognise them.
Funkfingers, in response to some highy questionable spam:
When this forum talks about getting wood, we're usually thinking of flamed maple.
Mike Hastings, 14th Earl of Loudoun:
I reckon I might send Lizzie a bill for back rent. The old girl's family have been living in my bloody castle for the last 500 years.


I think A2 Phat Cats are great in brighter, snappier woods like my swamp ash/maple neck tele. They give some really warm singing mids to the tone like A2's do in any pickup. If you need more bite in a Les Paul or darker guitar, just swap one or both mags to a different magnet.
I have BKP Blue Note 90s in a Hamer Special. I love them, perfect for blues and classic rock sounds, although not limited to that. They aren't hot at all, and just have a really clear (in a good way) and musical quality to them, even when overdriven.
https://bareknucklepickups.co.uk/mai...p=blue_note_90
Last edited by Laughing Kookaburra; 02-14-2013 at 01:59 PM.
Originally Posted by Reaper of Doom
Sometimes it sounds like small European countries are being flattened it sounds so massive and then another time it'll feel like a piranha is chewing on your ears.
Blahhhh.....if you want lower output and/or less treble, I think you'd be much better off with an A4/A4 or A4/UOA5 combo..



Interesting stuff guys...
The P-90 I have is a recent dog ear pulled form a VOS LP Jr, stock A5 mags and I've got it wired up like a 50's Jr (500k vol, 250k tone, .05 cap) and it's stuffed in my Melody Maker.
I really dig it overall but it is a little strident at times, the tone control can smooth it out but I'm thinking about a mag swap just to give me a slightly wider range of use on the tone control.
I know that a lot of 50's P-90's were A2 and I think I have a nice set of matched A2 magnets in the parts cave but pulling the Melody Maker apart is no easy task so I'm reading a bit and thinking about it...
Digging A2 magnets in SD Antiquity P90s. Thank you very much. Also digging the A500 Vol, A250 Tone control pot value idea. Gonna try that in a Hamer XT Series.![]()



I have never heard of a 50s P90 that has A2 mags in it.
Gibsons website:
Earlier pickups (around 1946-1952) had Alnico 3 magnets, but in 1957 Gibson switched to Alnico 5.
Last edited by Andrew Lamprecht; 02-15-2013 at 01:40 PM.
Henry David Thoreau - "Most men lead lives of quiet desperation and go to the grave with the song still in them."