What are the advantages/disadvantages? Do i have to adjust the truss rod in my guitar if i change the strings from roundwounds to flatwounds even if i use the same string gauge?

What are the advantages/disadvantages? Do i have to adjust the truss rod in my guitar if i change the strings from roundwounds to flatwounds even if i use the same string gauge?



I've never used them. I'm curious to hear this, too.
I put a set on my Ibanez 7 String once, I didn't tweak the truss rod at all (probably should have done, but I didn't), but they were nice to play on, no finger noise, really smooth.
Last edited by rinse_master; 05-13-2005 at 07:07 AM.
"What frequency are you getting? Is it noise or sweet, sweet music?"


Wait, I thought there was less tension with flatwounds.![]()
I use them on my archtop. I really like them. They are not as bright as standard wirewound but they are so smooth and no finger noise. For jazz and old rock-in-roll they are great.
I put a set of D'addario chromes on my Gibby SG and they are really nice, no finger noise and just the sound for me.
100% Bass player


I use D'Addario Chrome flatwounds on my electrics and Half Flats on my acoustics. I hate the feel of round wounds and string noise. I went on to D'Addario's website, and there is no significant difference in tension between rounds and flats from what I saw.
do you have to have any work done on the nut for flat wound strings
Guitars:
Gibson ES-137 (490R/498T)
Gibson Blueshawk (Blues P90/Hot P90
Ibanez S470 (Jazz/Hot Stack/Custom 5)
Squire Fat Strat (CR/Texas Custom Shop/JB)
Yamaha Acoustic
Amp: Fender Blues DeVille


I use the D'Addario Chromes too and the are much smoother. You can do those great 20 fret bass slides with them!! Bending is the biggest disadvantage... it's much tougher to do... at least it feels that way to me. I use them on my Jazzmaster because I wanted a "less-bright" tone and they do deliver the warmth. I really do love the sound of them but it is much tougher to rip a lead. As far as tension goes I'm not really sure... when these go I am going to try round wounds and see if there is a big difference in setup issues. I'm sure I'll know right away... that Jazzmaster floating trem is sensitive!!!
1978 Lefty Gibson Les Paul Custom (C5 bridge, Jazz neck) with Jimmy Page wiring
1996 Lefty Fender Jazzmaster (w/ SD Antiquity IIs)
2003 Lefty Taylor 414RCE (Rosewood Limited Edition with Expression System)
Mesa Boogie Dual Rectifier 3-channel through Marshall 1960A cabinet via THD HotPlate
Effects: Fulltone Clyde Deluxe Wah, Fulltone DejaVibe, Maxon Rotary Phaser (PH-350), Boss DD6, Boss RC20 LoopStation, BBE Sonic Stomp