...will try them out this weekend. Stay tuned for a tone report...



...will try them out this weekend. Stay tuned for a tone report...
In 1861 as the Confederate forces were about to fire on Fort Sumter, the blue and gray had infinitely more in common than the blue and red today. What fellowship can "the truth shall set you free" ever have with "there is no truth, only points of view", or "what is truth?"
Secession would be a horror. But barring a major national crisis like a Black Death magnitude epidemic or nuclear attack to erase once and for all the myth that truth is negotiable, it is coming.
Ohno, just when I am ready for A8, along comes another. Thanks for keep pushing us Zhang! Let us know.Originally Posted by Zhangliqun
Interesting zhang. Where did you find A6?



I be majorly curious, homey
1973 Les Paul Standard
1973 Marshall Super Lead 100



Just popped it in an O-bucker last night and you're pretty close. It originally had an A3 in it so you can imagine the change.Originally Posted by Gearjoneser
My first impression is that it's not the right magnet for this pickup or hotter wound buckers in general, it was strong but kind of dark -- though I may change my mind when I try it again this afternoon (changed strings last night).
But more specifically:
OUTPUT: Like a hotter Alnico 5 but not as hot as A8.
TONE: Like A5 but without the mid scoop -- mids are very solid, kind of like A4 but beefier (probably its best over all quality) and with more bass. Possibly a little darker on top than A5, but don't hold me to that until further evaluation with the new strings. You might call it Alnico 8 "Lite", but it's definitely brighter than A8 though.
Still first impressions, but I think A6 might be used best in making a very underwound bridge bucker, say 7.0 to 7.5k for the ideal combination of vintage shimmer/sparkle and beef. Could make a low-7's bucker sound like a 9.5k with Alnico 2 or 3, but possibly with a clearer, P90-ish top.
(I was thinking the same thing for Alnico 8 earlier, but its ideal DCR range would probably have to be dropped to 6.5-7.0k, and possibly use #41.5 or even #41 wire to make sure the coil wasn't too skinny.)
I will wind something like that (7.5k/A6) soon, probably in the next week, and give a further tone report. So again, stay tuned...
Last edited by Zhangliqun; 05-14-2006 at 01:08 PM.
In 1861 as the Confederate forces were about to fire on Fort Sumter, the blue and gray had infinitely more in common than the blue and red today. What fellowship can "the truth shall set you free" ever have with "there is no truth, only points of view", or "what is truth?"
Secession would be a horror. But barring a major national crisis like a Black Death magnitude epidemic or nuclear attack to erase once and for all the myth that truth is negotiable, it is coming.
I have an A8 in my 59B so this A6 sounds like I must ...have...now! OK *&@#%^, where do I find one. The orders are about to pour in...awesome post again from the Z-man. Keep pushin the tonal boundaries.Originally Posted by Zhangliqun



Hmm.. I wonder what a6 would do to a Jazz...Originally Posted by Zhangliqun
Did you get the magnets from a Duncan lipstick?
Gibson LP Melody Maker -- stock, Epiphone Dot -- Jazz neck and '59 bridge, Fender Telecaster Blackout Deluxe -- stock, 90's MIM Standard Strat with Duncan Texas Hot Custom in the bridge.



SECOND IMPRESSIONS:
It's brighter than I thought, still not quite right for the O-bucker, but I popped it in an 8.2k slugbucker and it sounded really good. For my ear it could use just a little more sparkle and shimmer when played clean and sizzle when overdriven but most of you would probably like it as is because I like my pu's a little brighter than most.
Anyway, that indicates that the ideal DCR range for A6 can be raised a bit, to mid to high 7's/low 8's on a wind that's about 0.5k slug-heavy, maybe even higher on a bucker with matched coils. I will still try it in a +/-7.7k Slugbucker at some point and see if that satisfies my shimmer/sparkle cravings.
The first impressions on the midrange held up. The mids are very solid, its best feature, which is often A5's weak point, depending on the pickup and guitar A5 is in, of course. It's a genuine alternative to Alnico 5 when you want just a little more power and more mids.
The bass can get slightly boomy, but to me, just dropping the low E pole piece significantly lower than the rest has always solved that problem in any pickup I've used.
SOURCE:
I didn't get the A6 from a Duncan Lipstick as originally planned. I searched for magnet vendors on the net and sent out e-mails to about half a dozen. Magnetic Hold, Inc., was the only one that responded and they sent me some free samples, but only because I told them that if I liked them, I'd probably be buying from them in semi-significant quantities down the road, which is true. I also told them that depending on their pricing and terms, I might be buying all my magnets from them. (Allstar Magnetics doesn't have A6 very often and when they do, they only sell it in quantities that would take me 30 years to use!)
In other words, for those interested in just one or two A6's, don't contact them and raise false hopes about future large orders if you never intend to place any just to get some free samples -- that would not be cool and would reflect very badly on me.
Probably the best way to get some A6's in small amounts right away is to pool your orders to at least about 50 magnets and maybe offer them $5 a unit. I'm just guessing, grabbing numbers out of the air, so take that with a grain of salt. I don't know what kind of minimum they'd be willing to work out but it might be worth a look.
If you want me to buy some extra for you with my next order, you might have to wait a while because I have everything I need at the moment, plus I need to work out pricing and minimum orders with them, so I may end up not going with them at all if their terms aren't viable for me. But the gal I e-mailed back and forth seemed pretty friendly, so probably it'll work out.
In 1861 as the Confederate forces were about to fire on Fort Sumter, the blue and gray had infinitely more in common than the blue and red today. What fellowship can "the truth shall set you free" ever have with "there is no truth, only points of view", or "what is truth?"
Secession would be a horror. But barring a major national crisis like a Black Death magnitude epidemic or nuclear attack to erase once and for all the myth that truth is negotiable, it is coming.



Would definitely fill out the mids and add a touch more bass.Originally Posted by gripweed
In 1861 as the Confederate forces were about to fire on Fort Sumter, the blue and gray had infinitely more in common than the blue and red today. What fellowship can "the truth shall set you free" ever have with "there is no truth, only points of view", or "what is truth?"
Secession would be a horror. But barring a major national crisis like a Black Death magnitude epidemic or nuclear attack to erase once and for all the myth that truth is negotiable, it is coming.



How do you think A6 (or A4) would do in a Heritage 535 that's currently loaded with Antiquities?
I love the neck pup, but the bridge seems like just a thinner version of the neck. Something with more output and tighter bass might be just the ticket...
Thanks for any thoughts,
Chip
Heritage 535 Special, Warmoth frankenstrat, MIM Strat, & Taylor 314C(no E)
Amp Builds: Tweed Princeton (5F2-A) variation, 2 BF Princeton Reverb clones, & Super Reverb clone
Sometimes use a Blues Jr., Tech 21 Trademark 10 & Power Engine 60
SPG modded DS-1, TS-7 & CryBaby; Visual Sounds Rte. 66 & H2O; Guyatone Tremolo
SD pickups: SSL-2, APS-2, tapped Quarter Pound, Custom 5 & Antiquity humbuckers
"Conan! What are the best things in life?"
"Girls, guitars, guns and cars!"
Thanks for your reviews!
As for us getting the bar magnets, would you be interested in brokering the deal? I'll take an even dozen...
Yeah I know it could be a real hassle but let us know.
Steve Ahola
The Blue Guitar:
http://www.blueguitar.org/
SoundClick Page:
http://www.soundclick.com/steveahola



I always have problems to call the A8 to be darker than - lets say - a A4 and a A5. It a kind of attack thing - the A8 is a little bit darker in the highest registers - but most of that Darkness comes out of a softer attack like a A2/A3.
The A5 has the sharpest attack besides the thin Ceramic i have. This was made perfectly clear to me since i changed the magnet in a JB to a A8, than a A3 and finally a Ceramic. This is the attack thing which made the Ceramic even harsh and overpowering sounding.
Since i realized that i'm into thinking (what a forum buddy stated once) it is a function of the different shapes of the magnetic fields. Check out Stephen Kerstings new graphics (sk guitar specialties website).



Zhang
our schedules work sooooooooo opposite each other
lol whne you are tied up, I am free vice versa
So how would a Custom 6 sound?
1973 Les Paul Standard
1973 Marshall Super Lead 100



I agree. I don't think my Seth has less bass or highs than a '59, but it is a softer (some say spongier) bass. It does have more mids than a5 however.Originally Posted by hamerfan
I'd also be interested in getting in on an order of a6. Maybe we could do a thread on the trading post to see who else is interested?
Last edited by gripweed; 05-16-2006 at 07:30 AM.
Gibson LP Melody Maker -- stock, Epiphone Dot -- Jazz neck and '59 bridge, Fender Telecaster Blackout Deluxe -- stock, 90's MIM Standard Strat with Duncan Texas Hot Custom in the bridge.



It would definitely have more mids than a Custom 5. Maybe just a little less bright, but since you bury your pole pieces, you could compensate for that easily by raising them some. The bottom might be a little boomy though.Originally Posted by OlinMusic
In 1861 as the Confederate forces were about to fire on Fort Sumter, the blue and gray had infinitely more in common than the blue and red today. What fellowship can "the truth shall set you free" ever have with "there is no truth, only points of view", or "what is truth?"
Secession would be a horror. But barring a major national crisis like a Black Death magnitude epidemic or nuclear attack to erase once and for all the myth that truth is negotiable, it is coming.



Sounds like it might fix that scooped sound that the C5 is criticized for.Originally Posted by Zhangliqun
Gibson LP Melody Maker -- stock, Epiphone Dot -- Jazz neck and '59 bridge, Fender Telecaster Blackout Deluxe -- stock, 90's MIM Standard Strat with Duncan Texas Hot Custom in the bridge.



It might.
In 1861 as the Confederate forces were about to fire on Fort Sumter, the blue and gray had infinitely more in common than the blue and red today. What fellowship can "the truth shall set you free" ever have with "there is no truth, only points of view", or "what is truth?"
Secession would be a horror. But barring a major national crisis like a Black Death magnitude epidemic or nuclear attack to erase once and for all the myth that truth is negotiable, it is coming.