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Mojo's Minions
![]() ![]() ![]() ![]() Join Date: Jan 2007
Location: San José, Costa Rica
Age: 18
Posts: 3,131
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Can this be done? I mean the rule tends to be that the hotter the pickup the more mids and less treble and vice versa. But can a pickup be voiced so that it defies this principle of pickup making?
Take for example the DiMarzio HS-3. I know it's a stacked design and isn't 100% the same thing as a traditionally wound single coil, but it is VERY low output, yet has this very very smooth and rolled off treble coupled with slightly bumped mids compared to a low output Strat single. Or the Dimebucker, which is a VERY hot wind that is quite the opposite of the norm, because it has a very scooped midrange and tons and tons of slicing high end. Ok so I think my question has been answered. It can be done. The question instead should be, what are some examples of this and how is it accomplished? Of course I mean how is it accomplished in a specific pickup because otherwise the answer would just be "magnets, pole pieces, satan's mojo magic, etc". Terence
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"My big awakening happened when I was fourteen. I'd been trying to get into this older girl's pants for a while, and she finally let me come over to her house. We hung out, smoked some pot and listened to Aerosmith's Rocks. It hit me like a ****ing ton of bricks. I sat there listening to it over and over, and totally blew off this girl. I remember riding my bike back to my grandma's house knowing that my life had changed. Now I identified with something-Slash" |
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#2 |
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Questionologist
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Location: NORTH HOLLYWOOD (talk to me, So Cal members!)
Age: 45
Posts: 6,511
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Materials make a difference, particularly the steel alloy in the screws, slugs, and keeper bar. You can also wrap some aluminum foil or copper tape around the coils and ground said foil/tape.
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#3 |
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Tone Member
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Location: Michigan
Posts: 311
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Plus the dimebucker uses the blades. I love dimebuckers personally ! The midrange isn't THAT scooped though. It's more of a diving mids kind of thing.
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Gibson SG Standard - (Invader SH-8 bridge & neck set) Gibson Les Paul Studio - (Dimebucker SH-13 bridge - Silverbird SH-9B neck) Marshall JCM 800 2204 from 1985 Marshall 1960AX cabinet(with 4 x 25watt greenbacks) Laney TT50H + a bunch of pedals |
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#4 |
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Mojo's Minions
![]() ![]() ![]() ![]() Join Date: Jan 2007
Location: San José, Costa Rica
Age: 18
Posts: 3,131
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Nice! That would basically add some capacitance to the thing right?
__________________
"My big awakening happened when I was fourteen. I'd been trying to get into this older girl's pants for a while, and she finally let me come over to her house. We hung out, smoked some pot and listened to Aerosmith's Rocks. It hit me like a ****ing ton of bricks. I sat there listening to it over and over, and totally blew off this girl. I remember riding my bike back to my grandma's house knowing that my life had changed. Now I identified with something-Slash" |
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#5 |
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Questionologist
![]() ![]() ![]() ![]() Join Date: Apr 2004
Location: NORTH HOLLYWOOD (talk to me, So Cal members!)
Age: 45
Posts: 6,511
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However it works, it shunts some of the highs to ground, like a cover does.
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#6 |
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Administrator
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Location: albany, ny
Age: 32
Posts: 13,162
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the hs3 is very high resistance which helps with the rolled off high end, the stack design helps keep the output low
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