Like the neck position model, the bridge position humbucker is a faithful replica of the great sounding "patent applied for" humbuckers that Seth E. Lover designed in 1955. The pickup comes with slight variations in DC resistance, just like...
I made this model to look and sound like a well-worn '50s humbucker as originally designed by Seth E. Lover. The pickups are built to traditional standards. Each has its own character and DC resistance, just like the originals....
Don't let the name fool you: the '60s Surfer™ pickup would be equally comfortable in the smoky clubs of Chicago's West Side as hanging ten at the Malibu Pier. The Antiquity II Surfer is hailed by many members of...
I always liked this pickup. I'll never forget a guy named Glenn Schwartz who played in the early James Gang and Pacific Gas & Electric. He had an old Epiphone® Sheraton™ fitted with mini-humbuckers that got such a huge...
I remember seeing Stevie Winwood play a Firebird® at a concert back in Cincinnati and it sounded amazing. It was kind of like a cross between a single coil and a humbucker. This pickup is similar to the mini-humbucker,...
The mid-'60s Jaguar® was an important part of the surf sound for dozens of Southern California bands and was heard on many TV and movie soundtracks. This replica of the '60s pickup is perfect for restoring your instrument or...
The Jazz Bass pickup is made to the specifications of the mid '60s production instruments and is very similar to the pickups I re-wound for Jaco back in the early '80s. The pickup is wound for the right amount...
The Jazzmaster® pickup was one of my favorite sounds during the '60s. I wore out many phonograph needles listening to groups like The Ventures and players like Roy Lanham who got amazing sounds from the Jazzmaster®. In combination with...
