Like the neck position model, the bridge position humbucker is a faithful replica of the great sounding "patent applied for" humbuckers that Seth E. Lover designed in 1955. The pickup comes with slight variations in DC resistance, just like...
I made this model to look and sound like a well-worn '50s humbucker as originally designed by Seth E. Lover. The pickups are built to traditional standards. Each has its own character and DC resistance, just like the originals....
Don't let the name fool you: the '60s Surfer™ pickup would be equally comfortable in the smoky clubs of Chicago's West Side as hanging ten at the Malibu Pier. The Antiquity II Surfer is hailed by many members of...
I always liked this pickup. I'll never forget a guy named Glenn Schwartz who played in the early James Gang and Pacific Gas & Electric. He had an old Epiphone® Sheraton™ fitted with mini-humbuckers that got such a huge...
I remember seeing Stevie Winwood play a Firebird® at a concert back in Cincinnati and it sounded amazing. It was kind of like a cross between a single coil and a humbucker. This pickup is similar to the mini-humbucker,...
The mid-'60s Jaguar® was an important part of the surf sound for dozens of Southern California bands and was heard on many TV and movie soundtracks. This replica of the '60s pickup is perfect for restoring your instrument or...
The Jazz Bass pickup is made to the specifications of the mid '60s production instruments and is very similar to the pickups I re-wound for Jaco back in the early '80s. The pickup is wound for the right amount...
The Jazzmaster® pickup was one of my favorite sounds during the '60s. I wore out many phonograph needles listening to groups like The Ventures and players like Roy Lanham who got amazing sounds from the Jazzmaster®. In combination with...
I saw my first Mustang guitar on a '60s TV show called Shindig and a guitarist by the name of Jerry Cole doing solos for many guest artists. Soon after that, I had my band members drive me to...
This P-Bass® replica pickup features the look and sound of the '60s tradition. It's perfect for restoring your old instrument and comes with a brass bottom plate to help insure ease of mounting. The coils are balanced for noise...
Often called the Tele® Bass, this pickup keeps the traditional look of the '50s and '60s. The slightly stronger Alnico V rod magnets gives the pickup more presence and output. It's a little fatter and fuller-sounding than the '50s...
Back in the mid '60s, Fender was only making Tele®s with rosewood fingerboards. I kept asking Bill Carson to make an all-maple slab board neck for me. These pickups are pretty much the same ones that I wound for...
Imagine the pickups out of an old '52 gold top or a '59 ES-330. By removing the cover you'll find the same hand-fabricated bobbins, wire and "flatback" tape that was used in the originals. Two specially calibrated Dun-Aged™ Alnico...
Imagine the pickups out of an old '52 gold top or a '59 ES-330. By removing the cover you'll find the same hand-fabricated bobbins, wire and "flatback" tape that was used in the originals. Two specially calibrated Dun-Aged™ Alnico...
Imagine the pickups out of an old '52 gold top or a '59 ES-330. By removing the cover you'll find the same hand-fabricated bobbins, wire and "flatback" tape that was used in the originals. Two specially calibrated Dun-Aged™ Alnico...
I wound this pickup hotter for added output and fullness. Like my Texas Hot™, this pickup is both magnetically and physically aged to sound and look like a '50s pickup but with an added punch. Each comes with a...
For years now I've been custom-making these pickups for my friends and special artist friends. Each Texas Hot™ is carefully assembled and hand-wound like the traditional classics. Careful attention to details like scatter-winding ensures that the Texas Hot looks...
Hand machined from the best brass musical alloy. Made for the great sustain and fullness of each note. These saddles are aged like they've been played for 40+ years. The intonation screw is fillister head and the height adjustment...
These pickups were pulled out of many lap steels and converted into lead pickups for Tele®. The pickups have a rectangular vulcanized bottom plate and mounted into the body of the instrument using two wood screws. Each bobbin is...
After early production of the flat pole lead pickup for Telecaster®, the pickups were manufactured with a raised D & G pole for better string response and output. These classic pickups had great sound too, and I wanted to...
I've always liked pickups on a Duo-Sonic® because of their clarity and smooth tone. The neck pickups are wound "top going" with a North magnetic polarity. The bridge pickups are wound "top coming" with a South magnetic polarity. When...
This single coil mandolin pickup is recreated to fit into early solid body mandolins. The coil is wound "top coming" and South polarity like the original. The replacement mandolin pickup comes with mounting screws, schematic, and is wax-potted. Hookup...
I wound this pickup hotter for added output and fullness. Like my Texas Hot™, this pickup is both magnetically and physically aged to sound and look like a '50s pickup but with an added punch. The magnets are calibrated...
The neck position is wound "top going" and North polarity. The bridge position is wound "top coming" and South polarity. When used in combination with each other the pickups will be hum-canceling. Both pickups have the traditional pole spacing....
The neck position is wound "top going" and North polarity. The bridge position is wound "top coming" and South polarity. When used in combination with each other the pickups will be hum-canceling. Both pickups have the traditional pole spacing....
The two bobbins are reverse wound and reverse polarity to make the pickup humbucking. The pickups are hand fabricated and wound using traditional techniques and use classic "push back" cloth braid hookup wire. Each pickup comes with aged black...
Like the originals, I use .625" magnets on the "A" string for better string balance. The two bobbins are reverse wound, reverse polarity to make the pickup humbucking. The pickups are hand fabricated and wound using traditional techniques and...
This single coil pickup is a replica of the ones found in the early "Telecaster®" single coil P-Bass®. It has four alnico magnets for the traditional sound. Each coil is wound with plain enamel magnet wire and protected with...
Originally developed for Johnny Farina of "Santo & Johnny," the pickup for Stringmaster® is wound for that distinct lap steel sound. The front-side position is wound "top going" and North polarity. The rear-side position is wound "top coming" and...
I have a great time re-creating the beauty of an early '50s lead pickup Tele®. Using vintage techniques, each pickup is hand-fabricated and scatter-wound. All parts of the pickup are aged and given the look of a pickup played...
This neck pickup for Telecaster® guitars is wound as a full-sounding rhythm pickup. It comes with an aged, deep drawn cover for vintage looks and added coil protection. The neck pickup comes with schematic and mounting screws. Each pickup...
