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  • I always liked this pickup. I'll never forget a guy named Glenn Schwartz who played in the early James Gang and Pacific Gas & Electric. He had an old Epiphone® Sheraton™ fitted with mini-humbuckers that got such a huge...
  • I remember seeing Stevie Winwood play a Firebird® at a concert back in Cincinnati and it sounded amazing. It was kind of like a cross between a single coil and a humbucker. This pickup is similar to the mini-humbucker,...
  • The mid-'60s Jaguar® was an important part of the surf sound for dozens of Southern California bands and was heard on many TV and movie soundtracks. This replica of the '60s pickup is perfect for restoring your instrument or...
  • The Jazzmaster® pickup was one of my favorite sounds during the '60s. I wore out many phonograph needles listening to groups like The Ventures and players like Roy Lanham who got amazing sounds from the Jazzmaster®. In combination with...
  • I saw my first Mustang guitar on a '60s TV show called Shindig and a guitarist by the name of Jerry Cole doing solos for many guest artists. Soon after that, I had my band members drive me to...
  • Imagine the pickups out of an old '52 gold top or a '59 ES-330. By removing the cover you'll find the same hand-fabricated bobbins, wire and "flatback" tape that was used in the originals. Two specially calibrated Dun-Aged™ Alnico...
  • Imagine the pickups out of an old '52 gold top or a '59 ES-330. By removing the cover you'll find the same hand-fabricated bobbins, wire and "flatback" tape that was used in the originals. Two specially calibrated Dun-Aged™ Alnico...
  • Imagine the pickups out of an old '52 gold top or a '59 ES-330. By removing the cover you'll find the same hand-fabricated bobbins, wire and "flatback" tape that was used in the originals. Two specially calibrated Dun-Aged™ Alnico...
  • These pickups were pulled out of many lap steels and converted into lead pickups for Tele®. The pickups have a rectangular vulcanized bottom plate and mounted into the body of the instrument using two wood screws. Each bobbin is...
  • I've always liked pickups on a Duo-Sonic® because of their clarity and smooth tone. The neck pickups are wound "top going" with a North magnetic polarity. The bridge pickups are wound "top coming" with a South magnetic polarity. When...
  • This single coil mandolin pickup is recreated to fit into early solid body mandolins. The coil is wound "top coming" and South polarity like the original. The replacement mandolin pickup comes with mounting screws, schematic, and is wax-potted. Hookup...
  • I wound this pickup hotter for added output and fullness. Like my Texas Hot™, this pickup is both magnetically and physically aged to sound and look like a '50s pickup but with an added punch. The magnets are calibrated...
  • The neck position is wound "top going" and North polarity. The bridge position is wound "top coming" and South polarity. When used in combination with each other the pickups will be hum-canceling. Both pickups have the traditional pole spacing....
  • Originally developed for Johnny Farina of "Santo & Johnny," the pickup for Stringmaster® is wound for that distinct lap steel sound. The front-side position is wound "top going" and North polarity. The rear-side position is wound "top coming" and...
  • These pickups were designed for the purist who plays a true acoustic archtop without a pickup routed in the guitar's top. With the "S" installed, the guitar isn't, strictly speaking, an electric guitar: it's an amplified acoustic. Designed to be compatible with steel, nickel and bronze strings.
  • These pickups were designed for the purist who plays a true acoustic archtop without a pickup routed in the guitar's top. With the "S" installed, the guitar isn't, strictly speaking, an electric guitar: it's an amplified acoustic. Designed to be compatible with steel, nickel and bronze strings.
  • High output mini-humbucker. Great for heavy blues, classic rock, hard rock and metal.

  • High output P-90. Excellent for modern country, heavy blues, classic rock, hard rock, punk, garage and metal.

  • High output P-90. Excellent for heavy blues, classic rock, hard rock, punk and metal.

  • High output true single-coil for warm instruments. Perfect for country, pop, surf, blues, classic rock and heavy rock.

  • Boosted output true single-coil for warm instruments. Perfect for surf, jazz, blues, classic rock and heavy rock.

  • Vintage correct single-coil Lipstick Tube pickup. Recommended for country, pop, surf, blues, jazz and classic rock.

  • P-90 sound without traditional hum. Versatile and applicable for all musical styles.

  • Authentic P-90 sound in a humbucker retrofit size pickup. Recommended for country, jazz, blues, rockabilly, classic rock and heavy rock.

  • High output true single-coil. Recommended for blues, classic rock, garage, heavy rock, classic metal and nu-metal.

  • High output true single-coil. Recommended for blues, classic rock, garage, heavy rock, classic metal and nu-metal.

  • Hotter-than-vintage mini-humbucker. Great for blues, classic rock, southern rock, jam and hard rock.

  • Vintage-correct replica of classic Firebird® pickup. Great for jazz, blues, rockabilly, classic rock and heavy rock.

  • Faithful recreation of the 1946 Gibson® single-coil. Recommended for country, jazz, swing, blues, rockabilly, classic rock and heavy rock.

  • Vintage correct single-coil Jaguar® pickup. Recommended for country, pop, surf, rockabilly, blues, ska and classic rock.

  • Vintage correct single-coil Jazzmaster® pickup. Recommended for country, pop, surf, blues, jazz and classic rock.
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