You had to know something like this was coming. This debate has gone on since solid state amps were marketed to unsuspecting guitarists in the 60’s. This article will consider the conventional wisdom is that tube amps are always better. Thirty years ago, I might agree, but now it isn’t so simple. Solid State (or…
Sometimes you feel like the whole world has gone crazy. At least, that’s how I feel whenever I come across a person on an internet forum repeating the increasingly-prevalent diatribe about the supposed impracticality of the 100-watt tube amp.
Once upon a time, there was this guy who bought a thing. He raved about this thing to anyone who would listen. It was the best thing ever. Superior in every measurable quality to everything else possessing qualities which could be measured. Of all things, this one thing reigned supreme; ultimate champion among the elite echelon of awesome things.
We guitar players are strange creatures, aren’t we? We exhibit a lot of habits, behaviors, and superstitions that other people – even other musicians – find odd. We use weird descriptive terms like “woody,” “dry,” and “icepicky” to describe sounds. We say to each other “tone is in the hands” while spending fortunes on equipment. We believe in mojo.
This is the second part of my two-part article about the options we soloists have for being heard above the din when it’s our time to shine. In the first part I covered some of the more tried-and-true methods for boosting a solo: the guitar volume, switching pickups, and using an overdrive, distortion, or compressor pedal. In this part, we will explore some of the more refined, “professional” options for making your solo stand out.