Less Than Or Equal To: The Diminished Chord

As modern guitarists, we are constantly trying to come up with new sounds. We all have heard how Yngwie plays diminished arpeggios at the speed of light and how practicing our diminished scale runs adds some Bach to our rock. Instead of focusing on scales or arpeggios here, I’ve reached back into to time of frilly shirts and harpsichords to check out the harmony which goes hand-in-hand with those shredilicious melodies. If we tire of djentrific root-5th power chords, folky granola-scented open major and minor triads, or murky jazz voicings, we can start by looking at those triads again. This article focuses on the diminished triad, what it sounds like, and how we can use it to break out of patterns where we seem to play the same thing, the same way, all the time.

Cage Match: Standard Notation vs Tablature

In this series of articles, I will attempt to encourage an open dialog about very polarizing viewpoints regarding standard notation verses tablature, but in a more or less positive manner. Some people know only one, some know both. Usually guitarists have pretty strong views on why one is better than the other. The great thing…

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