Less Than Or Equal To: The Diminished Chord

As modern guitarists, we are constantly trying to come up with new sounds. We all have heard how Yngwie plays diminished arpeggios at the speed of light and how practicing our diminished scale runs adds some Bach to our rock. Instead of focusing on scales or arpeggios here, I’ve reached back into to time of frilly shirts and harpsichords to check out the harmony which goes hand-in-hand with those shredilicious melodies. If we tire of djentrific root-5th power chords, folky granola-scented open major and minor triads, or murky jazz voicings, we can start by looking at those triads again. This article focuses on the diminished triad, what it sounds like, and how we can use it to break out of patterns where we seem to play the same thing, the same way, all the time.

Cage Match: Tradition vs. Technology

We guitarists always seem to be at a crossroads. On one hand there are the iconic guitars and amps made famous by a handful of American and British companies that are still used by guitarists over a half century later, and on the other hand there are new companies with new technologies that constantly push…

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