Adrian Galysh Returns With “Into The Blue”

  By Jay Hale Adrian Galysh is seemingly one of the busiest guitarists in the Los Angeles area.  Followers of his social media streams get regular notifications of gigs at the legendary Baked Potato and guest spots at Hollywood’s Ultimate Jam Night, as well as for sets he plays at local wineries and aeronautic events. Continue Reading

Hey Man, Nice Rack: A Selected History of Rack Effects

Just like guitars, effects come in all shapes and sizes. For guitarists, the first effects were built right into amplifiers. Reverb and tremolo were about all you could hope for, and about a decade or so after that, the fuzz box made an appearance. While these effects seem downright quaint by today’s standards, they are still used on hundreds of recordings and thousands of gigs each […] Continue Reading

Cage Match: Individual Pedals vs Multi Effects

Guitarists have long wanted to affect the sound of the electric and acoustic guitar with outboard gear. Whether it is compression from analog tape and the tube-powered mixing console itself back in the day, to the staggering array of pedals and devices available today, guitarists can at least agree that there are no lack of choices. While the outside world (I mean, non-guitarists) don't understand our obsession of arguing what sort of transistors are in our fuzz boxes, or how many effects we can have on at once, we get it. Almost to a fault. While this article is certainly not for the guitar-cord-amp type, it splits up the effect argument into 2 well-matched camps, the individual pedals and the multieffects. Remember though, words can only go so far- in the end, you have to plug in for yourself. Continue Reading

What is MIDI and How Can I Use It?

  Anyone reading through the specs of an effects processor or has ever bought a keyboard has seen the word MIDI. What is this crazy thing, and will it make my guitar sound like an 8-bit Atari game? Am I going to have to dig out my protractor and sextant to understand how MIDI works? This article will demystify this protocol and showcase how MIDI can make […] Continue Reading

Drum Programming For Guitarists

Once upon a time guitarists had to contend with clumsy drum machines if they wanted to make a demo. Either that or, y'know, learn to play the drums. But sequencers and home studio software have changed all this. Now you can craft passably life-like drums on your laptop while sitting on your butt in your PJs on the couch. Continue Reading

Guitar Synthesizers and the Use of Hex Pickups

Mention the idea of ‘midi guitar’ to most guitarists and the image that springs to mind is most likely an ’80s cover band with skinny ties where the guitarist has to cover the keyboard parts to ‘Jump’ and ‘Safety Dance.’ That is, if you don’t get the outright dismissal of the use of guitar synth in music making. I was there too. The last thing I […] Continue Reading

How To Use Autotune For The Forces Of Good

I'm sure we've all glared at our keyboardist friends with envy at the sheer volume of sounds they're able to call up at will while we're happily stuck within the confines of what a guitar, effect and amp setup can naturally do. And not to get all 'infomercial' about it, but synth/MIDI guitar can be pretty expensive to implement. You need a guitar with a suitable pickup for capturing the basic information from each individual string, and this can take the form of a special hex pickup or piezo elements linked into an electronic brain. You need an interface to turn that information into MIDI data. And then you need a MIDI sound module to turn that data into music again. Continue Reading

The Secret To 80s-Style Delay

Want a classic 80s-style lead guitar tone but you're not quite sure why nothing seems to work? The secret to those epic anthemic chest-pumping killer lead guitar sounds is deceptively simple, and it has very little to do with the right hairspray, leopard-print spandex or how florescent your pointy guitar is. And this little trick is so useful that it's able to make even somewhat novice guitarists sound (relatively) good. Continue Reading