Wait, I am already learning chords and scales… you’re telling me there are also things called Chord Scales? Yes! Chords scales are not only useful when composing, but also in improvisation. When harmonizing a melody we can make our music more rich, have more twists and turns, and break us out of the riff-based power chord rut we have been in for far too long. This article will explain a basic harmonization of the major scale, using movable chord shapes on the four smallest strings of our guitars – all while sounds sophisticated, complex, and completely irresistible to the opposite sex.
We’ve already looked at the modes of the C major scale, and we’ve also looked at the modes that have that happy, major sound. Now we turn our attention to modes that have a minor third – that is, the third note of the mode itself is 1 1/2 steps from the root.
In the last music theory blog article, I introduced you to the odd and sometimes dissonant chords derived from the melodic minor scale. This time we’ll look at the prettier-but-slightly-aloof older sisters of the melodic minor chords: harmonic minor chords. This article will explain how to derive the chords from this dramatic scale, and provide some…
Even the very-much known major and minor scales are just ancient modes. In this article I want to take a closer look at modes and how many players use them, but actually don’t know that they use them.
Chords can be a lifetime study, and a lifetime isn’t long enough to learn them all. To make matters worse, there are seemingly endless ways to play the exact same chords on your guitar. Most guitarists use about 3% of what is out there, but with some basic theory knowledge we can understand how to use them in our music.