Our Forza Overdrive is a full-range, highly adjustable and transparent overdrive pedal that maintains the natural voice of your guitar even while it boosts your gain. Compared to the 805 Overdrive it has a more open, earthy voicing. Its three-band EQ lets you boost or cut the Bass, Middle and Treble and it has plenty of crunch whether…
Overdrive and distortion pedals tend to multiply if left alone for too long. At some point, every guitar player looks at the pile of pedals scattered around the room, and can positively assure an unsuspecting wanderer that every single one of those pedals are completely different, and just because they might be the same size,…
It’s fairy common to read about sustain in guitar reviews. Some guitars have lots of it, some have less. We sometimes perceive that a guitar is better if it has lots of sustain compared to if it doesn’t. Let’s pull on a thread to unravel the tapestry of what ‘sustain’ means in a technical and musical sense.
Make some room on that pedalboard, folks, because the Seymour Duncan pedal line is expanding. The new 805 Overdrive joins the Dirty Deed Distortion, Vapor Trail Analog Delay and the Pickup Booster while bringing much-needed updates to the standard overdrive formula.
The 805 Overdrive pedal was designed by asking ourselves a simple question: What would our ideal overdrive pedal be like?
When I was younger, I absolutely refused to play with pedals: stompboxes, distortions, overdrives, boosters: anything that would make your amp go to ’11.’ I simply didn’t want to understand why you should or would use them. “I always chose my amps based on their ability to crunch and the voice of the overdrive, so why bother,” I thought. “Wanna have more distortion? Crank up the gain pot of your amp. Not enough gain? Wrong amp!” It was that simple for me. My turn-around point came somewhere last year. I saw more players use the backline of a venue or the house PA with a bunch of pedals in front of them, and sometimes with a tiny 15 watt tube amp with a nice clean sound. I couldn’t see why that approach had benefits until I borrowed a few pedals to see how that worked. So, let’s take a look at how stompboxes worked for me.
The solo: for many of us, it’s one of the best things about playing guitar. For others, it’s a terrifying prospect. This article is for those of us brave enough to step up and take the lead for a while, and it deals with a problem as old as the guitar solo itself: how to stand out in the mix when it’s your turn for the spotlight.