Seymour Duncan’s year-long sponsorship of my blog has drawn to a close.
I’d like to express my gratitude to everyone at Seymour Duncan, but it’s tough to know where to start! The warmth with they welcomed me into their musical family? Their willingness to consider my oddball ideas? The way they shared their knowledge so freely, routinely making me look far more knowledgeable than I am? Not to mention all the new things they taught me about tone. Without their support, I’d never have been able to undertake some of this blog’s more ambitious ventures, like the open-ended Mongrel Strat Project and the solder-squandering Pagey Project.
The first year of tonefiend posts will continue to be archived here, though comments will be closed, and I will be posting new material only at the new site.