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<oembed><version>1.0</version><provider_name>Seymour Duncan</provider_name><provider_url>https://www.seymourduncan.com</provider_url><author_name>Orpheo</author_name><author_url>https://www.seymourduncan.com/blog/author/orpheo</author_url><title>Feedback vs Microphonic Noise - Seymour Duncan</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="kPdWacimzm"&gt;&lt;a href="https://www.seymourduncan.com/blog/latest-updates/feedback-vs-microphonic-noise"&gt;Feedback vs Microphonic Noise&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.seymourduncan.com/blog/latest-updates/feedback-vs-microphonic-noise/embed#?secret=kPdWacimzm" width="600" height="338" title="&#x201C;Feedback vs Microphonic Noise&#x201D; &#x2014; Seymour Duncan" data-secret="kPdWacimzm" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://www.seymourduncan.com/wp-content/uploads/2013/12/DSC016421.jpg</thumbnail_url><thumbnail_width>1920</thumbnail_width><thumbnail_height>892</thumbnail_height><description>Feedback and microphonic noise are two terms that seem to be used and misused as people seem fit. I want to take a look at the mechanics behind feedback and microphonic feedback and how to use feedback in your playing, or simply get rid of it all together. Feedback and microphonic feedback are terms used...</description></oembed>
