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<oembed><version>1.0</version><provider_name>Seymour Duncan</provider_name><provider_url>https://www.seymourduncan.com</provider_url><author_name>Dave Eichenberger</author_name><author_url>https://www.seymourduncan.com/blog/author/dave-eichenberger</author_url><title>Mode Mania: Hearing the Unique Sounds of Each Mode - Seymour Duncan</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="RVfVbgXWGS"&gt;&lt;a href="https://www.seymourduncan.com/blog/the-players-room/mode-mania-hearing-the-unique-sounds-of-each-mode"&gt;Mode Mania: Hearing the Unique Sounds of Each Mode&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.seymourduncan.com/blog/the-players-room/mode-mania-hearing-the-unique-sounds-of-each-mode/embed#?secret=RVfVbgXWGS" width="600" height="338" title="&#x201C;Mode Mania: Hearing the Unique Sounds of Each Mode&#x201D; &#x2014; Seymour Duncan" data-secret="RVfVbgXWGS" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script type="text/javascript"&gt;
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</html><thumbnail_url>https://www.seymourduncan.com/wp-content/uploads/2014/06/SH-15_alternative_8.jpg</thumbnail_url><thumbnail_width>899</thumbnail_width><thumbnail_height>418</thumbnail_height><description>Misunderstanding the modes of the major scale is common among guitarists. We practice them in all keys, up and down the fretboard, in sequences, with different rhythmic groupings. The secrets to these mysterious inversions of the major scale lie in the chords they are played over. This article will explain some ways we can hear the unique sound of each mode, and develop interesting chord progressions that allow us to hear them in their native habitat.</description></oembed>
