Emerging in Digital Tone

Since the humble beginnings of the electric guitar, there has been a steady increase in the technology that surronds the instrument. Whether it be amps that have exceedingly become more advanced or the birth of digital effets pedals. There is no doubt that during the last 15 years there has been an acceleration in the availability of both digital offerings and more recently, the ability to modulate amps and effects. While recording studios were once both uncommon and expensive there are now software programs that give a home user the power to do things that weren’t possible in the huge mastering studios of the ’70s and ’80s. We decided to look at some of the emerging technologies and what they might mean for the future of music making.

AmpliTube:

Over the last several years there has been a distinctive rise in the number of programs that emulate amps, pedals and provide some pretty powerful EQ options. Over time these emulations have become more powerful and harder to tell from the real thing (which was proven by the ToneFiend amps vs. models contest). Of course, when you crank an amp up, there is a distinctive tone and grit that is hard to replicate. Still, the advancement in modeling has made these programs become more appealing. AmpliTube is a piece of sotware that is not only available for Windows & Mac but also for the iPhone. Using a special adapter you can plug your guitar directly into your iPhone and use it as an amplifier, turn on some effects and adjust the EQ. You can even use some Seymour Duncan pedals as our Power Grid and Shape Shifter are available through the AmpliTube Custom Shop.

 

It’s Kemper time:

One item that has been generating buzz recently is the Kemper Profiling Amp. The Kemper promises to capture the tone of a unique sounding amp by allowing you to record it and save its tonal DNA to an onboard hardrive. It comes loaded with a ton of profiles and you can download many more from the internet. The idea being that at the switch of a button you could go from a Marshall JTM45 to a Mesa Boogie or choose from hundreds of other options.

 

Guitar makers are taking notice:

Many guitar makers are now starting to incorporate digital technology and ways to connect it in some models. In this gutiar from Rick Hanes, it has a built-in option for an iPod touch with AmpliTube. At the touch of a button you could change to a different amp, add a pedal or make a change to the EQ.

Of course there are many more programs and technologies being developed than just these three, sometimes at such a pace it’s hard to keep up with them. Do you believe this will be a good thing for musicians, by opening up more options at affordable prices? Or do you think that the trend for digital and emulations doesn’t capture the character of the real thing?

 

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  • Nomad100

    the Kemper sounded muddy and boomy

    • Apr13st

       Check out other vids.  As an owner of one I can vouch for how good it really is.

  • http://twitter.com/RonnieJamesTio The Uncle

    Before I got my first amp, I used to use a lot of emulation,it sounded great,but when I heard the real thing which was a normal solid-state amp,it was superior. Only a few of emulators are really good but none of them sound really like the real thing,I think you can take advantage of effects and stuff by combining real gear with virtual gear.

    • http://twitter.com/ikmultimedia IK Multimedia

      Has it been a while?  You should check out what’s available now.  There’s a link in the article to the test where people really couldn’t tell the difference in blind tests above.  But the best way is to try a demo, making sure you are using a good audio interface with Hi-Z/instrument inputs and a quality signal chain.  Of course you should try the AmpliTube demo (or the completely free version with enough gear to give you a wide range of sounds, with no time limit or sounds blasts etc) because we’re at the top of our game.  That’s why Seymour Duncan and many other top gear manufacturers choose us to model their gear.

      We LOVE real gear too (I’ve got a few Seymour Duncan pedals on my board right now, into real amps) and we have a huge room full of great amps and pedals that we’ve bought along the way to model (including period-correct vintage gear for our AmpliTube Hendrix product), so don’t get me wrong.  I really do like the idea of combining real and virtual gear, that’s how bands like AC/DC do it (they used AmpliTube on a couple of tracks off their last studio album).

      http://www.amplitube.com

  • http://twitter.com/ikmultimedia IK Multimedia

    Thanks for the great AmpliTube mentions and for also noting AmpliTube on the iPod touch interface integrated into the Hanes guitar.  Good stuff.  We’re glad you chose IK to make the most realistic models of your gear, too.