Now I know the image above will give some people fits. Just the idea of doing a gig without your favorite amp roaring behind you is enough to send people to their sheds, grabbing pitchforks and lighting torches.
The original humbucking pickups designed by Seth Lover for Gibson in the 1950s were elegantly simple. By combining two pickup coils instead of simply using one (with pole piece magnets of one coil oriented in the opposite direction to the other), Lover’s design cancelled out the buzz and hum that plagued existing single coil designs, leaving in its place a fuller, rounder tone which changed the future of guitar.
Muddy sounding neck pickup? Try Seymour’s quick tech fix By Seymour Duncan Tech Guru Scott Miller People often call and ask how to fix a muddy sounding neck pickup. Some years ago, Seymour taught me a cool trick to fix this exact problem. If you connect a .047 capacitor in series (directly in-line) with the…
Have you ever sat at home and basked in your “lion riding a motorcycle” guitar tone, only for it to end up sounding all “duck chewing on a balloon” at your next gig or band practice? I know I have. If you’re the kind of bats-for-breakfast, skulls-on-mic-stand, brutal guitar warlord sort for whom LOUD is life, then you’re probably cranked 24/7 and have no idea what I’m talking about. However, for those of us who cut our teeth on modelers with headphones or amps turned down to law-abiding levels, having to adjust to being audible over a drum kit can be a very frustrating experience.
Many guitars also come with a combination of single coil and humbucker pickups. Running a 500K potentiometer when using singles may make them too sharp and shrill. Sure you can have a couple of volume potentiometers, one for each sort of pickup. But what if you want to keep your control layout simple?
Guitars are complicated instruments: there are so many parts needed to make it work that it’s no wonder sometimes a part breaks down or wears out. Fortunately, a lot of problems can be solved with very little effort and cost, so you can make sure your guitar doesn’t end up with one of the…
Just like guitars, effects come in all shapes and sizes. For guitarists, the first effects were built right into amplifiers. Reverb and tremolo were about all you could hope for, and about a decade or so after that, the fuzz box made an appearance. While these effects seem downright quaint by today’s standards, they are…
Have you ever recorded a guitar track and then realized the tone just wasn’t quite right?
You’ve practiced for years. You’ve scoured thrift stores for the right wardrobe. You have a new set of strings, an amp that goes to 11, and you are ready to rock! There can’t be much more than that when preparing for your first gig, right? I mean, how hard can it be?
Floating bridges are great. You can make all sorts of weird and wacky noises diving and raising the whammy bar. From simple pitch variations to harmonic squeals, car engines revving and fluttering noises, floating bridges provide hours of fun.