The Shape Shifter is one of the most versatile tremolo pedals you will find, whether your style is a classic textural vibe or unexpectedly experimental. The Shape knob lets you control how evenly the signal rises and falls; set it in the middle for a traditional, even rise-and-fall effect, or turn it left or right for wild effects that can simulate backwards recording or the attack of an analog synth. When you’re running in stereo, the mini Phase knob lets you select whether the pedal is in phase or up to 180 out of phase, taking you from a traditional stereo effect to a swirly phase tone that effectively feels like surround-sound.

Use the Speed control or Tap Tempo foot switch to set your modulation speed from 0.5 pulses-per-second to over 15 pulses-per-second, and the Ratio/Rate mini-switch to select whether the Speed knob acts as a straight rate control or as a selector for between 1:1, 2:1, 3:1 or 4:1 speeds relative to the Tap Tempo. The illuminated Speed knob gives you an instant visual indicator of the effect speed, and it’s always flashing so you know where you’re at before you hit the effect switch.

The volume auto adjusts so you avoid the “dip” that sometimes comes with tremolo pedals. And stereo inputs and outputs mean you can get creative with your signal chain. Like all of our pedals, the Shape Shifter is True Bypass and is designed and assembled at our Santa Barbara, California factory by the same team responsible for our legendary pickups.

The Pickup Booster is for when you love the sound of your guitar but you need a little more: more output, more gain or just a little more control over your guitar’s voice without changing its fundamental character. Think of it as sending your guitar to the gym. A true-bypass pedal with a class A, low-noise circuit design, Pickup Booster can be used to dial in the tone you need for every situation. It will emphasize your guitar’s natural tone while adding some muscle and fatness. It uses a discrete push-pull output stage for increased drive capability. Even with the Gain knob down to 0dB, your signal chain will sound cleaner – including long cable runs, essentially acting as a buffer on your pedalboard.

Need a humbucker sound out of that vintage Strat? The Resonance Switch makes the pedal interact directly with your pickups, allowing your single coils to emulate either a chunky humbucker sound perfect for classic rock or blues or a high-output tone for rip-roaring solos. If you’re using humbuckers, Position 1 will give your guitar a little more ‘teeth,’ while Position 2 gives you a hint of that ‘cocked-wah’ tone filter vibe which is great for leads.

Like all of our pedals, Pickup Booster is designed and assembled at our Santa Barbara, California factory by the same team responsible for our legendary pickups.

While many overdrives emphasize particular frequencies, the Forza gives you a more even spread across the frequency range. The voicing is very open, and it sounds just as good through a clean channel or hitting an already-overdriven amp. In addition to up to 37dB of gain there’s a three-band EQ for controlling the lows, mids and high end, and the Level control has plenty of range to allow use as a clean boost too. The Forza uses a glass diode, back-to-back stack overdrive circuit. It features True Bypass switching and is made in the USA.

By focusing beyond just the tonal characteristics of Palladium, we designed an innovative architecture that captures the full-bodied depth and character of rock and metal’s most iconic high gain tube amps. You can use it with a power amp or a clean guitar amp to create your ultimate high gain signature sound, and replicate your favorite classic and high gain amp tones. Or use it in front of a distorted amp to tighten up the attack for rhythms or to increase sustain and saturation for solos.

However you choose to use Palladium, we hope you hear and feel the impact of great tone, body and depth in your unique sound. Palladium features three gain stages: a gain stage to control the overall saturation, a resonance control for low frequency gain shaping, and a boost control that adds overdrive to the beginning of the signal path. These three gain stages allow for a versatile range of tones, from classic rock at lower settings to modern metal at higher gain settings.

The pedal also offers a comprehensive EQ, with bass, treble, presence and sweepable midrange-frequency control, so you can make Palladium sound perfect with any amp.

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Dark Sun was crafted based on Mark Holcomb’s favorite sounds from the Andromeda Dynamic Delay and the Silver Lake Dynamic Reverb. Dark Sun combines a warm and clean digital delay algorithm with a lush Hall reverb, and the ability to route the two in just about any configuration you could want. And, you can shape the EQ of the effect, add saturation, or lush choral modulation, or use Dynamic Expression to control the mix of the effect with your playing. Mark wanted the ability to change the order of the effects on the fly and assign them to either the left or right channel – so we designed the routing control; a 4-position switch that can create dramatically different sounds depending on how it’s set.

Running Delay first means new reverberations are created with each repeat – while putting Reverb first will create a less natural and more dramatic repeat of the reverb trail. Setting Delay and Reverb to the left and right channels allows you to use Dark Sun’s two effects in stereo or as two separate pedals in one. A complement of filters, gain, and modulation round out the feature set. Applied only to the wet signal, they can totally re-shape the character of the effect. Use the Low Pass Filter to soften and warm up the sound, or the High Pass Filter to cut big low-end repeats, allowing you to use high mix settings without overpowering your playing.

Saturation adds gain for pleasant lo-fi effects, tape-like saturation, or shoegaze-style distorted repeats. And, the modulation section can be assigned to the delay, the reverb, or both. Dynamic Expression has been distilled to one purpose for this pedal – to control the mix of the effect with your playing. Turn it on and play hard and the mix control is automatically ducked, so the delay and reverb get out of your way. When you play softer or let a note ring out, the mix level will rise again, swelling in ambient trails. Dark Sun has 4 tap divisions available – quarter notes, dotted eighths, eighths, and triplets. You can set the tempo via the tap footswitch,

Time control, or MIDI – and the time can be displayed in milliseconds or beats per minute (which you can toggle by holding the trails switch while powering up the device). It is fully MIDI capable, and features a micro-USB port for firmware updates and preset management. Like all Seymour Duncan pedals, Dark Sun was dreamed, designed, and built right here in the US, and features true-bypass switching.

The Woody XL (SA-3XL) is a passive, noiseless, magnetic soundhole pickup with adjustable pole pieces that delivers a full spectrum acoustic tone that is great for everything from jangly strumming, to quiet fingerstyle playing. It gives you a great balance that combines the fat bottom of the HC version, with the sparkly top end of the SC version all with no 60-cycle hum. The individually adjustable pole pieces enable you to really fine tune your sting-to-string balance.

All of the Woodys are available in our custom maple, walnut or black stained housing, and are double potted to keep them resistant to feedback. It mounts instantly into your soundhole, with no modification of any kind needed to the guitar and can easily be removed at a moments notice. It comes with a 14-foot low capacitance, studio quality cable that will plug directly into your favorite amp, PA, direct box, or console. Fits all standard soundholes (3.75″ (94mm) to 4.0″ (100mm). Great for all standard types of steel string acoustic guitars.

NOTE this is a magnetic pickup, and will not work with nylon stringed instruments. Available colors: Maple, Walnut, or Black.

The Woody HC (SA-3HC) is a passive, noiseless, magnetic soundhole pickup that delivers a warm, rich acoustic tone that is great for all types of acoustic playing. Its hum-cancelling design delivers a fatter, more compressed sound than the SC (single coil) version.

All of the Woodys are available in our custom maple, walnut or black stained housing, and are double potted to keep them resistant to feedback. It mounts instantly into your soundhole, with no modification of any kind needed to the guitar and can easily be removed at a moments notice. It comes with a 14-foot low capacitance, studio quality cable that will plug directly into your favorite amp, PA, direct box, or console. Fits all standard soundholes (3.75″ (94mm) to 4.0″ (100mm). Great for all standard types of steel string acoustic guitars.

NOTE this is a magnetic pickup, and will not work with nylon stringed instruments. Available colors: Maple, Walnut, or Black.

The Multi-Source combines the popular Wave-Length pickup system with a condenser microphone for versatility, flexibility, and the most natural sound possible from your acoustic guitar. The Multi-Source uses the Wave-Length unitary design, piezoelectric co-polymer under-saddle pickup coupled to an 18-volt, low-noise, high-input impedance preamp with twice the dynamic range of typical 9-volt systems. Two AA batteries power the 18-volt preamp. With 18 volts, your signal has more headroom so hard strumming or plucking won’t distort into piezo quack as easily.

This system is available in both nylon-string and steel-string options. With the addition of the highly efficient miniature, omni-directional electret condenser microphone, you can amplify your acoustic guitar with startling clarity and accuracy. The mic is nestled in a special absorptive visco-elastic polymer shock mount for optimal isolation. Two lightweight, low-profile knobs allow for master volume and microphone volume. Dial the microphone in to add just the right amount of air; dial it out to control feedback, if necessary. Speaking of feedback, the microphone channel has two stages of low frequency roll-off to combat any tendency towards low frequency feedback. Also, full coverage copper shielding on the pickup insures immunity to external noise fields. This system is quiet.

The installation instructions contain a stereo wiring option that allows you to separate the pickup and mic. With this option, the pickup gets sent to the Tip connection, and the mic get sent to the ring connection of the output jack for use with a two-channel preamp.

The Woody SC (SA-3SC) is a passive, magnetic soundhole pickup that delivers a bright, clear acoustic tone that is great for both energetic strumming, and delicate fingerstyle playing. The fact that it is a single coil means that you get more chime, and top end brilliance.

All of the Woodys are available in our custom maple, walnut or black stained housing, and are double potted to keep them resistant to feedback. It mounts instantly into your soundhole, with no modification of any kind needed to the guitar and can easily be removed at a moments notice. It comes with a 14-foot low capacitance, studio quality cable that will plug directly into your favorite amp, PA, direct box, or console. Fits all standard soundholes (3.75″ (94mm) to 4.0″ (100mm). Great for all standard types of steel string acoustic guitars.

NOTE this is a magnetic pickup, and will not work with nylon stringed instruments. Available colors: Maple, Walnut, or Black.

Unleash the power of your Wavelength™ Solo under-saddle transducer with the Wavelength – Volume & Tone Module. This module puts the control of your volume level and tone-shaping right at your fingertips. A short cable connects the module to the Wavelength Solo endpin preamp, then it’s just a matter of mounting the unit to the inside of your guitar’s soundhole with an adhesive strip. No soldering or alteration to your instrument needed!

Not only do you now have control of the volume and overall tone of your guitar, but there’s also no loss of tone or dampening of vibrations caused by batteries and electronics being attached to a side-mounted pre-amp assembly. This module is only for use with the Wavelength Solo: it is not compatible with the Wavelength Duo.